New Entries

This section enables you to view documents recently put online: articles and essays written specifically for the Web or reposted from recent issues, reactions to articles that have appeared on the website or in the magazine, complete content of previous issues, new reviews, and more. A great way to keep up! All of these articles may also be consulted elsewhere on the website according to section and category.
 

  • J.C.M. Hayward, Wood Pile, 1912, gelatin silver print, 47 x 35 cm © J.C.M. Hayward

    Songs of the Future: Canadian Industrial Photographs 1858 to Today – John K. Grande

    July 6, 2017 [originally published in CV91 in Spring 2012] — The landscape tradition in North American photography extends back into the colonial era. In “Songs of the Future,” photography is an instrument that documents the unfolding of an industrial heritage. Some of the flavour of this show is akin to Gordon Lightfoot’s song Canadian Railway Trilogy, but, sadly, no images of Chinese or Irish workers or of Sir William van Horne figure in it.

  • Philippe Hamelin, Disco solo, 2011, installation : bois, miroir, plancher lumineux, projecteur lumineux rotatif programmable, 5 x 5 x 8 cm, permission de l’artiste. © Philippe Hamelin

    Philippe Hamelin, Transe – Louis Cummins

    July 4, 2017 [originally published in French in CV91 in Spring 2012] — You can read it by switching over to the French version of this page.

  • Normand Rajotte, Comme un murmure (suite) No.18, 2010, jet print on archival paper on aluminum, 102 x 102 cm, courtesy of la Galerie Pangée
. © Normand Rajotte

    Normand Rajotte, Like a Whisper (The Continuation) – Isa Tousignant

    June 28, 2017 [originally published in CV91 in Spring 2012] — Every summer until we were teenagers, my sister and I spent three entire months running like wild things through the dense forest of the Laurentians. With our two neighbour friends and a borrowed husky dog, we explored every nook, cranny, brook, and blueberry bush of a stretch of about two kilometres around our cottage all day, every day. They were some of my favourite times, ...

  • Adad Hannah, Chess with Grandson, 2011, épreuve chromogénique, 100 x 134 cm. © Adad Hannah

    Adad Hannah, Les Russes – Eloi Desjardins

    June 27, 2017 [originally published in French in CV91 in Spring 2012] — You can read it by switching over to the French version of this page.

  • Lynne Marsh, Timpini on Stage, 2011, impression Chromira, 63 x 78 cm, permission de la galerie Donald Browne. © Lynne Marsh

    Lynne Marsh, Stage Backstage – Sylvain Campeau

    June 21, 2017 [originally published in French in CV91 in Spring 2012] — You can read it by switching over to the French version of this page.

  • Leila Alaoui, Sans titre, de la série No Pasara [Vous ne passerez pas], 2008, impression à jet d’encre, avec l’aimable concours de la Fondation Leila Alaoui, Marrakech (Maroc) ; Galleria Continua, San Gimignano (Italie), Beijing (Chine), Les Moulins (France) et La Havane (Cuba) ; et VOICE Gallery, Marrakech (Maroc)

    Leila Alaoui – Claudia Polledri

    June 20, 2017 [originally published in French in CV106 in Spring 2017] — You can read it by switching over to the French version of this page.

  • The Cultural Work of Photography in Canada ed. Carol Payne and Andrea Kunard. Montreal and Kingston: McGill-Queen’s University Press, 2011

    The Cultural Work of Photography in Canada – Cheryl Simon

    June 19, 2017 [originally published in CV91 in Spring 2012] — This Is Not a History of Canadian Photography. Less a history of Canadian photography, more a Canadian history told through photography, The Cultural Work of Photography in Canada considers how photographic representation is deployed to shape identity. Co-edited by Carleton University professor Carol Payne and Canadian Museum of Contemporary Photography curator Andrea Kunard, the book represents the most extensive contribution to scholarship on Canadian photography ...

  • Nathalie Boulouch, Le ciel est bleu. Une histoire de la photographie couleur Paris, Les éditions Textuel, 2011, 216 p.

    Nathalie Boulouch, Le ciel est bleu. Une histoire de la photographie couleur – Érika Wicky

    June 14, 2017 [originally published in French in CV91 in Spring 2012] — You can read it by switching over to the French version of this page.

  • fig. 3 : Albert Dumouchel (1916–71), Cliché-verre non figuratif aux motifs lyriques, vers 1949, épreuve au gélatinobromure argentique à surface veloutée, collée sur carton, tirage d’époque / Non-figurative cliché-verre with lyrical motifs, ca. 1949, silver gelatin bromide print with satin finish, glued to cardboard, period print, 34 x 26 cm

    Sébastien Hudon – Discovering and Collecting Modern Photographs in Quebec – Jacques Doyon

    June 12, 2017 [originally published in CV91 in Spring 2012] — Now the artistic director of La Bande Vidéo, Sébastien Hudon has been, in turn, a bookseller, an author, a critic, and an independent curator. He was nominated for the young curator of the year award at the first agac gala following his presentation of two successive exhibitions mounted in 2010 and 2011 at Maison Hamel-Bruneau, in Quebec City: “Concerto en bleu majeur,” on the links ...

  • Ciel variable 90 - COLLABORATIONS

    Ciel variable 90 – COLLABORATIONS

    June 7, 2017 [originally published in Winter 2012] — The complete content of CV90 is now available online including porfolios of JR, Museum of the African Diaspora, Patrick Dionne et Miki Gingras, essays about Serge Emmanuel Jongué, La Biennale di Venezia 2011, Le Mois de la Photo à Montréal (2011), an interview with Bastien Gilbert as well as several recent exhibition and publication reviews.