The magazine aims to identify and examine photographic practices that share the ground with contemporary art processes, new image technologies and matters related to global culture.
Darkroom, Michel Campeau – Olivier Asselin
[Summer 2008]
This article was originally published only in French. You can read it by switching over to the French version of this page.
[Fall 2018] By Pierre Dessureault [Excerpt] Photography. The exhibition Michel Campeau – Life before Digital,1 a retrospective of Michel Campeau’s approach in the early 1970s, offers a wellrounded view of his ideas on photography, on the figure of the photographer, and on that of the collector who finally took over from the producer of images. […]
[Fall 2017] By Joan Fontcuberta [Excerpt] What remains of photography in the era of post-truth and the selfie, of Facebook’s indiscreet rear windows and the Sirens of consumerism, emojis, and spam? Who will intone the elegy for the art of light? Just when we thought we had all the answers to the enigma of our […]
The artists whose works are brought together here under the theme of ruins are interested in capturing the traces of a disappearing world, a world in which the evolution of the photographic image is symptomatic of a more fundamental transformation of culture and social values as a whole. Michel Campeau – The Donkey that became […]