{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"Ciel variable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cv-prod\/","title":"Camera and the City \u2013 St\u00e9phanie Yvette Hornstein &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ayeQ2XejpY\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/camera-and-the-city-stephanie-yvette-hornstein\/\">Camera and the City \u2013 St\u00e9phanie Yvette Hornstein<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/camera-and-the-city-stephanie-yvette-hornstein\/embed\/#?secret=ayeQ2XejpY\" width=\"600\" height=\"338\" title=\"&#8220;Camera and the City \u2013 St\u00e9phanie Yvette Hornstein&#8221; &#8212; Ciel variable Magazine\" data-secret=\"ayeQ2XejpY\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2026\/05\/132_75_Fred-Herzog.jpg","thumbnail_width":2000,"thumbnail_height":1352,"description":"Drawn from the collection of the National Gallery of Canada, the exhibition Camera and the City explored street photography. According to St\u00e9phanie Yvette Hornstein, however, it did little to renew the way the subject is approached. Her review highlights a key concern\u2014the narrative is \u201cMoMA-centric,\u201d in her view\u2014but also underscores some of the exhibition\u2019s strengths, particularly the conceptual photography section, featuring artists such as Susan Dobson, Melvin Charney, VALIE EXPORT, and others whose work exposes the shortcomings and contradictions of urban space."}