{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"cielvariable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cielvariable\/","title":"Emanuel Licha - Stephen Horne &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"CCfTedsc4R\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-104-another-angle\/emanuel-licha-stephen-horne\/\">Emanuel Licha &#8211; Stephen Horne<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-104-another-angle\/emanuel-licha-stephen-horne\/embed\/#?secret=CCfTedsc4R\" width=\"600\" height=\"338\" title=\"&#8220;Emanuel Licha &#8211; Stephen Horne&#8221; &#8212; Ciel variable Magazine\" data-secret=\"CCfTedsc4R\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2016\/09\/104-86-emanuel-licha.jpg","thumbnail_width":800,"thumbnail_height":450,"description":"March 1, 2017 &#91;originally published in CV104 in Fall 2016&#93; \u2014 With his new feature film, Hotel Machine, artist Emanuel Licha, based in Paris and Montreal, continues his questioning of the place of media and the mediatization of place. His process takes him to the \u201cfront lines\u201d of recent warfare \u2013 at least, the front lines in the sense of media communications. Taking the relationship between architecture and mass media as a topography, Hotel Machine is a cinematic inquiry into ..."}