{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"cielvariable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cielvariable\/","title":"Judith Bellavance \u2014 Mona Hakim &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GO6wh5qCIl\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-117-shifted\/judith-bellavance-mona-hakim\/\">Judith Bellavance \u2014 Mona Hakim<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-117-shifted\/judith-bellavance-mona-hakim\/embed\/#?secret=GO6wh5qCIl\" width=\"600\" height=\"338\" title=\"&#8220;Judith Bellavance \u2014 Mona Hakim&#8221; &#8212; Ciel variable Magazine\" data-secret=\"GO6wh5qCIl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2021\/06\/117-75-judith-bellavance.jpg","thumbnail_width":800,"thumbnail_height":533,"description":"Sensitive to memory, loss, and emotion, Judith Bellavance found the subject for her series Le go\u00fbt de la dur\u00e9e in an Irish community in the Gasp\u00e9 \u2013 more specifically, in a church basement frozen in time. According to Mona Hakim, Bellavance reconstructs \u201ca personal story through the marks of wear that the site bears and the emblematic objects that it contains.\u201d Favouring a form of \u201cmagnification,\u201d she bears witness to the users\u2019 desire to \u201ccare for\u201d their living environment. At a time when the fate of our patrimonial and religious architecture is being challenged, writes Hakim, Le go\u00fbt de la dur\u00e9e sensitively and poetically evokes reflections on our relationship with history and memory \u2013 on a heritage just under the surface."}