
{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"cielvariable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cielvariable\/","title":"Ron Jude \u2014 Louis Perreault &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"EK7fybxD0D\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-117-shifted\/ron-jude-louis-perreault\/\">Ron Jude \u2014 Louis Perreault<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-117-shifted\/ron-jude-louis-perreault\/embed\/#?secret=EK7fybxD0D\" width=\"600\" height=\"338\" title=\"&#8220;Ron Jude \u2014 Louis Perreault&#8221; &#8212; Ciel variable Magazine\" data-secret=\"EK7fybxD0D\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2021\/06\/117-92-ron-jude.jpg","thumbnail_width":400,"thumbnail_height":532,"description":"Ron Jude\u2019s photobook \u201cvibrates on the table,\u201d according to Louis Perreault, so utterly does the sensory experience offered overflow the edges of the images. In Perreault\u2019s view, Jude, a fundamental figure in the publishing world, has innovated once again, and he also takes a new direction in his practice: here, the landscape is the subject, the narrative thread of the images is less influential, and the strategy turns to accumulation rather than juxtaposition. 12 Hz is like \u201ca musical composition,\u201d Perreault writes, \u201ceach image acting as a track added to the others, each vibrating at a different frequency. Like a composer at the mixing console, Jude adjusts the levels of each track, measuring out the abstraction, the textures, the reproduction of space and place.\u201d The reference to low frequencies in the title suggests that sound wave are forces that shape landscapes, imperceptible movements that permeate the dark-toned images."}