{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"cielvariable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cielvariable\/","title":"Sara A. Tremblay \u2014 Paule Mackrous &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"XTu0Lj83Qo\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-117-shifted\/sara-a-tremblay-paule-mackrous\/\">Sara A. Tremblay \u2014 Paule Mackrous<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-117-shifted\/sara-a-tremblay-paule-mackrous\/embed\/#?secret=XTu0Lj83Qo\" width=\"600\" height=\"338\" title=\"&#8220;Sara A. Tremblay \u2014 Paule Mackrous&#8221; &#8212; Ciel variable Magazine\" data-secret=\"XTu0Lj83Qo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2021\/06\/117-85-sara-a-tremblay.jpg","thumbnail_width":533,"thumbnail_height":800,"description":"Created in the context of isolation imposed by the pandemic, the visual and virtual essay Tout t\u2019emp\u00eache, posted on Instagram, is a well-thought-out project, resonating with the reality of the health crisis and the food autonomy movement. Through a series of images of harvested flowers, fruits, and vegetables, Sara A. Tremblay displays her daily life on a farm in the Orford region. In the view of Paule Mackrous, the work forms a \u201critual,\u201d the scope of which goes beyond intimacy, by highlighting an ecosystem of light, wind, insects, nocturnal animals, and more. \u201cA counterweight is thus offered to both the direct and indirect effects of COVID-19, such as anosmia (loss of the senses of small and taste), physical distancing, and the requirement to touch nothing \u2013 effects that prevent us from experiencing all the sensory dimensions of the world.\u201d"}