{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"cv-content","author_url":"https:\/\/cielvariable.ca\/en\/author\/cv-content\/","title":"P\u00e9rip\u00e9ties - James D. Campbell &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ERaqJ0dCW2\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-86-performance\/peripeties-james-d-campbell\/\">P\u00e9rip\u00e9ties &#8211; James D. Campbell<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-86-performance\/peripeties-james-d-campbell\/embed\/#?secret=ERaqJ0dCW2\" width=\"600\" height=\"338\" title=\"&#8220;P\u00e9rip\u00e9ties &#8211; James D. Campbell&#8221; &#8212; Ciel variable Magazine\" data-secret=\"ERaqJ0dCW2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2010\/09\/86_88_Tremblay_img01.jpg","thumbnail_width":755,"thumbnail_height":600,"description":"June 23, 2016 &#91;originally published in Fall 2010&#93; \u2014 This exhibition highlights narrative disruption and its consequences in five mature bodies of photographic and video work, and demonstrates how the uncanny seeps in and out of those ruptures in an auratic and seismic way, even as meaning and d\u00e9nouement are delayed. Works by Bettina Hoffman, Carlos and Jason Sanchez, Milutin Gubash, Eve K. Tremblay, and Chih-Chien Wang..."}