{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"Ciel variable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cv-prod\/","title":"Deanna Bowen, The Artist as Avenger \u2013 Cheryl Simon &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7iPcbbfGqF\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/deanna-bowen-the-artist-as-avenger-cheryl-simon\/\">Deanna Bowen, The Artist as Avenger \u2013 Cheryl Simon<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/deanna-bowen-the-artist-as-avenger-cheryl-simon\/embed\/#?secret=7iPcbbfGqF\" width=\"600\" height=\"338\" title=\"&#8220;Deanna Bowen, The Artist as Avenger \u2013 Cheryl Simon&#8221; &#8212; Ciel variable Magazine\" data-secret=\"7iPcbbfGqF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2024\/09\/127-42-Bowen.jpg","thumbnail_width":1200,"thumbnail_height":484,"description":"In her essay, Cheryl Simon looks at two projects in which the artist Deanna Bowen examined the relations of influence and identity at the foundation of Canadian history. One project took the form of a mural that highlighted resistance to Black and Jewish immigration; in the other, an exhibition, Bowen looked back to a time when Montreal\u2019s Golden Square Mile neighbourhood was the epicentre of the country\u2019s (white and Anglo-Saxon) power."}