{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"Ciel variable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cv-prod\/","title":"Skawennati, Welcome to the Dreamhouse \u2013 Julie Graff &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"j0ZuaD9Od2\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/skawennati-welcome-to-the-dreamhouse-julie-graff\/\">Skawennati, Welcome to the Dreamhouse \u2013 Julie Graff<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/skawennati-welcome-to-the-dreamhouse-julie-graff\/embed\/#?secret=j0ZuaD9Od2\" width=\"600\" height=\"338\" title=\"&#8220;Skawennati, Welcome to the Dreamhouse \u2013 Julie Graff&#8221; &#8212; Ciel variable Magazine\" data-secret=\"j0ZuaD9Od2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2025\/11\/Capture-decran-le-2025-12-04-a-16.10.47.png","thumbnail_width":1074,"thumbnail_height":617,"description":"A key figure in media arts and cyberspace, Skawennati speculates on fairer futures more conducive to the flourishing of Indigenous people. The retrospective at the National Gallery of Canada presented her renowned machinimas and machinimagraphs (films and images related to virtual environments), as well as installations that, according to Julie Graff, allowed viewers to navigate between different degrees of realism. Organized around a theme with multiple meanings, the exhibition addressed both \u201cthe lack of Indigenous representation\u201d and \u201ccolonial narratives of stasis and disappearance.\u201d"}