{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"Ciel variable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cv-prod\/","title":"Storage Story \u2013 Safia Belmenouar &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IS8lCwVY5l\"><a href=\"https:\/\/cielvariable.ca\/en\/issues\/storage-story-safia-belmenouar\/\">Storage Story \u2013 Safia Belmenouar<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/issues\/storage-story-safia-belmenouar\/embed\/#?secret=IS8lCwVY5l\" width=\"600\" height=\"338\" title=\"&#8220;Storage Story \u2013 Safia Belmenouar&#8221; &#8212; Ciel variable Magazine\" data-secret=\"IS8lCwVY5l\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2026\/05\/132_82_Won-Seoung-Won.jpg","thumbnail_width":2000,"thumbnail_height":1500,"description":"The inaugural exhibition of South Korea\u2019s first public museum dedicated to photography\u2014the Photo SeMA\u2014engaged in dialogue with the institution\u2019s archives (comprising 20,000 works and documents), its surroundings, and a building designed in the shape of a camera shutter. Safia Belmenouar discusses the works of the six artists who approached the museum \u201ca living space in which multiple experiences, narratives, and reinterpretations intersected.\u201d The exhibition explored the very notion of collecting, presenting the Photo SeMA as \u201ca place of fertile tensions rather than a museified space.\u201d"}