{"version":"1.0","provider_name":"Ciel variable Magazine","provider_url":"https:\/\/cielvariable.ca\/en\/","author_name":"Ciel variable","author_url":"https:\/\/cielvariable.ca\/en\/author\/cv-prod\/","title":"Venice Biennale 2022 \u2013 Ariane No\u00ebl de Tilly &#8211; Ciel variable Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"uYHgURhe8U\"><a href=\"https:\/\/cielvariable.ca\/en\/venice-biennale-2022-ariane-noel-de-tilly\/\">Venice Biennale 2022 \u2013 Ariane No\u00ebl de Tilly<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cielvariable.ca\/en\/venice-biennale-2022-ariane-noel-de-tilly\/embed\/#?secret=uYHgURhe8U\" width=\"600\" height=\"338\" title=\"&#8220;Venice Biennale 2022 \u2013 Ariane No\u00ebl de Tilly&#8221; &#8212; Ciel variable Magazine\" data-secret=\"uYHgURhe8U\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cielvariable.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cielvariable.ca\/wp-content\/uploads\/2022\/09\/biennales-biennale-venise-13.jpg","thumbnail_width":1080,"thumbnail_height":720,"description":"Biennials &amp; Co. &#8211; By Ariane No\u00ebl de Tilly. When she wrote her children\u2019s book The Milk of Dreams, the Mexican surrealist artist Leonora Carrington certainly had no idea that one day the book would become a major source of inspiration for the exhibition curator Cecilia Alemani, who borrowed its title for the 59th edition of the Venice Biennale..."}