Un magazine qui se consacre à la présentation et à l’analyse des pratiques de la photographie en lien à l’art contemporain, aux nouvelles technologies de l’image et aux enjeux actuels de la culture.
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[Printemps 2006]
Cet article a été à l’origine uniquement publié en anglais. Vous pouvez le lire en consultant la version anglaise de cette page.
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Installation views from The Centre of the Forest Is a Lake Like Mirror,
October 13 – November 12, 2005.
Dazibao, Montreal
Installation views from The Centre of the Forest Is a Lake Like Mirror,
October 13 – November 12, 2005.
Dazibao, Montreal
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Chih Chien Wang, The Centre of the Forest Is a Lake Like Mirror, series of 48 photographs, 2004–2005,
40 x 32 cm, 32 x 40 cm, 30 x 24 cm and 40 x 40 cm, inkjet prints on paper.
© Chih Chien Wang
Résumé
L’auteure examine le travail de Wang Chih-Chien à la lumière des rapports étranges et symboliques qu’il entretient avec les aliments et d’autres objets de consommation domestique. Elle conclut cependant que ce point de vue réduit la portée de cette démarche artistique puisque l’artiste aborde également la façon dont les pratiques quotidiennes se rattachent à la mémoire et aux relations humaines, tout en reflétant un statut socio-économique. Les photographies et vidéos de Wang permettraient tout à la fois au regardeur de renouer avec ses souvenirs et de s’adonner au rêve .
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