Like a walk through the forest, Sébastien Michaud’s exhibition featured around twenty “picture or sculpture stations” made from manipulated and distorted prints. Before these photographs of nature, Mariane Tremblay saw an invitation to an introspective journey, to the “let themselves become forest” advocated by philosopher Baptiste Morizot. She writes that our relationship with the living world in the face of the ecological crisis depends on the human capacity to change and adapt.