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Suzie Larivée

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Guy Lafontaine, Home Sweet Home – Suzie Larivée, Grandeur et misère du paysage urbain

Ciel variable 50 - APPROACHING THE PLACE | Portfolios
Authors: Suzie Larivée | Artists: Guy Lafontaine

[Spring 2000] This article was originally published only in French. You can read it by switching over to the French version of this page. Summary Since 1995, Guy Lafontaine has been working on a series of photographs examining transitional zones on the border of residential and industrial districts, mainly in neighbourhoods on the outskirts of […]

Lucie Duval, 25 images/seconde ; photographies détournées – Suzie Larivée

Ciel variable 35 - DIGITAL PHOTOGRAPHY | Exhibition reviews
Authors: Suzie Larivée | Artists: Lucie Duval

[Summer 1996] This article was originally published only in French. You can read it by switching over to the French version of this page. Galerie Vox Du 15 février au 17 mars 1996

Franck Michel, Sansui – Suzie Larivée, Of Mountains and Water

Ciel variable 34 - UNTITLED | Portfolios
Authors: Suzie Larivée | Artists: Franck Michel

[Spring 1996] by Suzie Larivée The garden is an image of the world San for the mountain. Sui for water. The sand becomes water. The stone becomes a mountain. The Japanese garden is a theatre: in transposing a landscape, reducing an existing natural site, it brings together an ancient arrangement of water, stones, sand, hilly […]

Jean-François Bérubé, Le jeu du portrait :* a guessing game – Suzie Larivée

Ciel variable 25 - UNTITLED | Portfolios
Authors: Suzie Larivée | Artists: Jean-François Bérubé

[Winter 1993] by Suzie Larivée Portrait: n. m. (Portret, pourtrait, 1175; p.p. of portraire “to draw or represent”)… Jeu du portrait, where a player must guess the name of a person (or a thing) by asking questions to which one responds with only Yes or No. Le Petit Robert, p. 1489   “Portraiture consists of […]

Nicholas Amberg, Et plus touchant encore, visages – Suzie Larivée

Ciel variable 23 - FACE, NATURE, ARCHITECTURE | Portfolios
Authors: Suzie Larivée | Artists: Nicholas Amberg

[Summer 1993] This article was originally published only in French. No translation is available.

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