[Spring 2003]
Portfolios : JEAN-PHILIPPE LEMAY, ALAIN PAIEMENT, LUC COURCHESNE.
Reviews : Melvin Charney, Ken Lum, Bertrand Carrière, Au regard du paysage (I et II)
Voices : Alain Paiement
Authors : Jacques Doyon, André Clément, Mona Hakim, Brian Massumi, Danielle Schwartz, Petra Halkes, Sylvain Campeau, Suzanne Paquet, Hubertus von Amelunxen
Ciel variable 60 - VISION | Editorial
Authors: Jacques Doyon
[Spring 2003] by Jacques Doyon The artworks presented in this issue make manifest the constraints intrinsic to the tools of vision. They inscribe in the image itself traces of the prostheses, framings, and postures inherent to the photographic act, and in opposition to the referential consensus they offer an exploration of the conditions of the […]
Ciel variable 60 - VISION
Authors: André Clément | Artists: Jean-Philippe Lemay
[Spring 2003] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract After linking the genesis of the artist Jean-Philippe Lemay’s work to his own personal experience with early mechanisms for capturing light, André Clément analyzes the paradoxical nature of Lemay’s photographs, […]
Ciel variable 60 - VISION
Authors: Mona Hakim | Artists: Alain Paiement
[Spring 2003] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract With Parages, Alain Paiement continues his research on the modes of apprehension and representation of space in his main fields of interest, dealing with photography, architecture, cartography, and painting. Here, […]
Ciel variable 60 - VISION
Authors: Brian Massumi | Artists: Luc Courchesne
[Spring 2003] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract The panoramic photography of Luc Courchesne introduces, within the conventions of traditional panoramic painting, formal and technical variations that significantly alter the aesthetic basis of the genre and require a […]
Ciel variable 60 - VISION | Exhibition Reviews
Authors: Danielle Schwartz | Artists: Melvin Charney
[Spring 2003] Musée d’art Contemporain de Montréal February 22 to April 28, 2002 Even in his earliest photographs, which he shot as a teen – portraits of alleyways, façades, and streets – Melvin Charney, the Montreal-based architect-painter-photographer-intellectual, was examining the relationship between local and international vernacular architecture and daily life. As this show reveals, the […]
Ciel variable 60 - VISION | Exhibition Reviews
Authors: Petra Halkes | Artists: Ken Lum
[Spring 2003] Canadian Museum of Contemporary Photography 21 September 2002 – 12 January 2003 Ken Lum Works With Photography. The title of a retrospective exhibition of Lum’s photographic works at the CMCP in Ottawa this fall mimics the way Lum uses text and aptly describes his practice. Lum works with photography. Rather than exploring the […]
Ciel variable 60 - VISION | Exhibition Reviews
Authors: Sylvain Campeau | Artists: Bertrand Carrière
[Spring 2003] This article was originally published only in French. You can read it by switching over to the French version of this page. Galerie Simon Blais du 4 septembre au 5 octobre 2002
Ciel variable 60 - VISION | Exhibition Reviews
Authors: Suzanne Paquet
[Spring 2003] This article was originally published only in French. You can read it by switching over to the French version of this page. Art Gallery of York University, Museum of Contemporary Canadian Art et The Koffler Gallery, Toronto 12 mai au 30 juin 2002 Galerie Liane et Danny Taran, Centre Saidye Bronfman, Montréal 12 septembre au […]
Ciel variable 60 - VISION | Interviews
Authors: Hubertus von Amelunxen | Artists: Alain Paiement
[Spring 2003] tangent e – Alain Paiement is the first exhibition of a series, curated by Hubertus von Amelunxen, Senior Visiting Curator at the Canadian Centre for Architecture, that aims to establish a dialogue with the photography collection of the CCA by the creation of new works. From a selection of some two hundred photographs […]