[Spring 2009] This article was originally published only in French. You can read it by switching over to the French version of this page.
[Summer 1996] Musée d’art contemporain de Montréal, 1995, 58 pp. Reproductions in black and white and colour. The catalogue L’Effet cinéma, addendum to the recent exhibition of Canadian, American, and European artists, outlines some of the theoretical issues that emerge from a consideration of the presence of cinematographic elements in contemporary art. As the doubly […]