Karen Henry - Ciel variable Magazine

Helga Pakasaar, On the new Polygon Gallery, North Vancouver – Karen Henry

Ciel variable 108 - GOING PUBLIC | Interviews
Authors: Helga Pakasaar, Karen Henry

[Winter 2018] Curator Helga Pakasaar contemplates changes in Vancouver institutions and art practices at a significant moment of change for Presentation House Gallery, where she has been curator since 2003, as it is transformed into the new Polygon Gallery. The Polygon is situated next to the Lonsdale Quay along North Vancouver’s waterfront, directly across the […]

Kelly Lycan, Underglow – Karen Henry

Ciel variable 99 - HABITAT | Exhibition Reviews
Authors: Karen Henry | Artists: Kelly Lycan

Kelly Lycan Underglow Presentation House Gallery, North Vancouver 13 September to 2 November 2014 By Karen Henry Purchase this article

Antoni Muntadas, Entre/Between – Karen Henry

Ciel variable 97 - PORTRAIT GALLERY | Exhibition Reviews
Authors: Karen Henry | Artists: Antoni Muntadas

Antoni Muntadas Entre/Between Vancouver Art Gallery, Vancouver 9 November 2013 to 10 February 2014 By Karen Henry Purchase this article

C.1983. The Role of Photography in Memory, Mass Culture and illusion – Karen Henry

Ciel variable 93 – FORENSICS | Essays
Authors: Karen Henry | Artists: Henri Robideau

November 6, 2017 [originally published in CV93 in Winter 2013] — Who would have thought that the 1980s were such a stimulating time. There is so much emphasis in cultural memory on the 1960s and 1970s that it seemed like it was all over by the 1980s – but not so, as revealed in the two-part exhibition on photography in Vancouver c. 1983…

Stan Douglas, Abbott & Cordova, 7 August 1971 – Karen Henry

Ciel variable 85 - CONFLICT | Essays, Portfolios
Authors: Karen Henry | Artists: Stan Douglas

May 16, 2016 [originally published in Summer 2010] — The impressive piece of public art addresses the very nature of public space. It is named after the two streets that cross at the north corner of the Woodward’s building, on which the artwork is installed. The image inhabits space like a sculpture, grandly overlooking the public and private courtyards of the new complex in Vancouver’s Downtown Eastside.