Jacynthe Carrier’s works are among those that brush past us like a breath, according to Jean-Michel Quirion. Better still, he writes, they “reach out and softly embrace us” in his review of du seuil à la cime. The video and photographic installations that formed the exhibition revealed the life cycles animating an urban wasteland. Through the addition of performative actions, the artist renders it welcoming, turning it into a place to inhabit, where one can “make territory together.”