Exhibition Reviews
Authors: Sylvain Campeau | Artists: Jacynthe Carrier
September 10, 2018 — Originally published in French. You can read it by switching over to the French version of this page.
Ciel variable 106 - TREES, ICE, AND CLOUDS | Exhibition Reviews
Authors: Sylvain Campeau | Artists: Jacynthe Carrier
June 18, 2020 [originally published in CV106 in Spring 2017] — You can read it by switching over to the French version of this page.
Ciel variable 96 – PERFORMING FOR THE IMAGE | Portfolios
Authors: Anne-Marie St-Jean Aubre | Artists: Jacynthe Carrier
August 22, 2018 [originally published in CV96 in Winter 2014] — Up to now, a certain conception of painting came to mind when I thought of Jacynthe Carrier’s photographic and videographic work, not only because of the emphasis that she places on composition and narration in the creation of her works, but especially because of the type of gaze that these works draw…
Ciel variable 96 – PERFORMING FOR THE IMAGE | Portfolios
Artists: Jacynthe Carrier, Kim Waldron, Marisa Portolese
These three montreal artists have in common the performative dimension of the images in their works. Bodies are staged in situations of intimacy, intrusion, or sacrifice to highlight how loved ones, strangers, and animals help to form our identity. JACYNTHE CARRIER Les Eux Here, we are as close as possible to bodies, in an interwoven […]
Ciel variable 96 – PERFORMING FOR THE IMAGE | Editorial
Authors: Jacques Doyon | Artists: Jacynthe Carrier, Kim Waldron, Marisa Portolese
The thematic section of this issue presents recent works by three Montreal artists from the perspective of the performative dimension of their images. In these works, the artists stage bodies in situations of intimacy, intrusive proximity, or confrontation with their own fears, to bring to light how loved ones, strangers, and even animals help to […]
Ciel variable 94 – PUBLIC ART | Exhibition Reviews
Authors: Manon Tourigny | Artists: Jacynthe Carrier
February 28, 2018 [originally published in French in CV94 in Spring 2013] — You can read it by switching over to the French version of this page.