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Bill Vazan

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Form: Experimentation and Transformation – Sylvain Campeau

Essays
Authors: Sylvain Campeau | Artists: Alain Paiement, Bertrand Carrière, Bill Vazan, Isabelle Hayeur, Luc Courchesne, Nicolas Baier, Raymonde April

October 15, 2015 [originally published on March 31, 2010] — Looking back over twenty years and trying to retrace the path of experiments with images, we start in the early 1990s, when a couple of newcomers, Alain Paiement and Roberto Pellegrinuzzi, were already starting to turn heads. In an essay published in 1992, Denis Lessard tried to show what these artists owed to the heritage of Pierre Boogaerts, Bill Vazan, and Serge Tousignant.1 He also mentioned the work, then new, of Raymonde April, Lucie Lefebvre, and Denis Farley. This effort at historical perspective was out of place at the time, when the lion’s share of attention in the critical environment was being paid to the rebirth of installation art and the manner in which photography and, soon, the photographic would be inserted into it.

Alain Paiement, Bertrand Carrière, Bill Vazan, Isabelle Hayeur, Luc Courchesne, Nicolas Baier, Raymonde April

Bill Vazan, Itinéraires urbains 1960-1970 – Serge Bérard, Du concept au Cosmos, perspectivisme chez Bill Vazan

Ciel variable 76 - MAPPING | Portfolios
Authors: Serge Bérard | Artists: Bill Vazan

[Summer 2007] This article was originally published only in French. You can read it by switching over to the French version of this page. Summary Since the end of the 1960s, Bill Vazan has been producing conceptual works in the form of urban itineraries for which he uses various modes of transportation (walking, driving, riding […]

Bill Vazan, Itinéraires urbains 1960-1970 – Henry Lehmann, Tangible and Intangible lines

Ciel variable 76 - MAPPING | Portfolios
Authors: Henry Lehmann | Artists: Bill Vazan

[Summer 2007] by Henry Lehmann The title was as brief and streamlined as the piece itself, called simply Worldline. With this unearthly 1971 project, based on the ultimate invisibility of pure line and on its infinite conceptual reach, Montreal artist Bill Vazan truly launched his career. Of course, most of this line, tangibly linked up […]

Bill Vazan, Ombres cosmologiques – Suzanne Paquet

Ciel variable 56 - MAKING WORLDS | Exhibition reviews
Authors: Suzanne Paquet | Artists: Bill Vazan

[Winter 2001-2002] This article was originally published only in French. You can read it by switching over to the French version of this page. Musée du Québec Du 2 septembre 2001 au 6 janvier 2002

Bill Vazan, Jumpgates, An Overview of Photoworks, 1981-1995 – Robert Legendre

Ciel variable 39 - AUTHENTICITY 1 | Book Reviews
Authors: Robert Legendre | Artists: Bill Vazan

[Summer 1997] This article was originally published only in French. You can read it by switching over to the French version of this page. Bill Vazan et John K. Grande Peterborough, The Art Gallery of Peterborough, 1996

Bill Vazan – Mona Hakim, Carnet de voyages

Ciel variable 30 - UNTITLED | Portfolios
Authors: Mona Hakim | Artists: Bill Vazan

[Spring 1995] by Mona Hakim Bill Vazan’s fragmented photographs, one comes to understand the necessity of interrogating the very conditions of photography’s procedures, and consequently, those of vision. Conditions related to what Philippe Dubois adverts to as the “flatness” of the photographic image, an image “reinforced by the monocular nature of the optical device, [and […]

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