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Marie-Josée Jean

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After Jonathan Monk
, Exhibition Views as Augmented Reality
 – Marie J. Jean

Ciel variable 109 - REVISIT | Essays
Authors: Marie-Josée Jean | Artists: Jonathan Monk

Octobre 26, 2021 [originally published in CV109 in Summer 2018 ] — Exhibition views have taken on an increasingly important role since museum specialists began featuring them in exhibitions. Originally placed under glass, following a documentary protocol introduced via museology, this form of documentation has gradually come to be displayed on walls, occasionally ascribed the status of artwork…

Marie-Josée Jean, A renewed Vision for Centre VOX – Jacques Doyon

Ciel variable 89 - PLACES | Interviews
Authors: Jacques Doyon, Marie-Josée Jean

January 24, 2017 [originally published in CV89 in Fall 2011] — Marie-Josée Jean became director of VOX, centre de l’image contemporaine in 2002, after organizing the sixth and seventh presentations of Mois de la Photo à Montréal. For the last ten years, her research has focused on the theory and practice of image-based and conceptual art. For VOX, she has organized exhibitions by John Baldessari, Bill Vazan, Marcel Duchamp, Maria Eichorn, …

Rodney Graham – Marie-Josée Jean

Ciel variable 75 - MUTATIONS | Exhibition reviews
Authors: Marie-Josée Jean | Artists: Rodney Graham

[Fall 2007] This article was originally published only in French. You can read it by switching over to the French version of this page. Musée d’art contemporain de Montréal du 7 octobre 2006 au 7 janvier 2007

Laura Letinsky – Marie-Josée Jean, Petits écarts affectueux

Ciel variable 47 - AFFECTION | Portfolios
Authors: Marie-Josée Jean | Artists: Laura Letinsky

[Summer 1999] This article was originally published only in French. You can read it by switching over to the French version of this page. Summary The author examines the expression and the modalities of communicating affection in a selection of Laura Letinsky’s works in which the complexity of the love relationships between men and women […]

Georges Rousse – Marie-Josée Jean, Georges Rousse: dévoilement

Ciel variable 41 - AUTHENTICITY 2 | Portfolios
Authors: Marie-Josée Jean | Artists: Georges Rousse

[Winter 1997-1998] This article was originally published only in French. You can read it by switching over to the French version of this page.

Marie-Jeanne Musiol- Marie-Josée Jean, Champs de l’apparition

Ciel variable 35 - DIGITAL PHOTOGRAPHY | Portfolios
Authors: Marie-Josée Jean | Artists: Marie-Jeanne Musiol

[Été 1996] by Marie-Josée Jean Marie-Jeanne Musiol’s images invest the territory of invisibility by inscribing subtle traces of emanations on their surface – more precisely, the luminous emanations commonly known as “auras.” These auras, once sunk deep into the secret of their own invisibility, have been revealed thanks to the Kirlian apparatus, a vision-enhancing machine […]

La présence de la photographie dans les collections des musées. Spécificité d’un médium… d’une culture – Marie-Josée Jean (Supplément)

Ciel variable 32 - UNTITLED + SUPPLEMENT | Essays
Authors: Marie-Josée Jean

[Fall 1995] by Marie-Josée Jean Conference and exhibitions co-ordinator Since it was invented, photography has been recognized for the sensitivity and intensity of its formal expression. With the rise of modernism, attention was brought to bear on the ability of photography to crystallize fleeting moments. This ambivalent relationship between the literal and the figurative led […]

Carol Dallaire – Marie-Josée Jean, L’image transmuée

Ciel variable 32 - UNTITLED + SUPPLEMENT | Portfolios
Authors: Marie-Josée Jean | Artists: Carol Dallaire

[Fall 1995] This article was originally published only in French. You can read it by switching over to the French version of this page.   Related articles: Portfolio : Carol Dallaire, LE COMPLET BLEU ou l’apparence des choses qui ne sont pas des sons (French only) Article : Carol Dallaire – Francine Dagenais, Taking leave […]

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