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A Bit of Context

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Here, you can discover, or rediscover, essays related to different aspects of the history and evolution of Ciel variable since 1986. Lending a different perspective are also some articles that discuss the magazine as a means of dissemination and exploration for photography.

Canadian Photography Magazines, 1970–1990. Reconsidering a History of Photography in Print – Zoë Tousignant

Ciel variable 105 – MONTREALITIES | Essays
Authors: Zoë Tousignant

May 5, 2020 [originally published in CV105 in Winter 2017] — The essay reprinted here was written for an exhibition curated by Zoë Tousignant and presented at Artexte. The exhibition was developed as part of Tousignant’s long-term research project, which examines histories and relationships between photography and the printed document in Canada…

Vox Populi 1985-1989, The origins of VOX, Ciel variable, and Le Mois de la Photo à Montréal – Marcel Blouin

Ciel variable 103 - NATURE | Essays
Authors: Marcel Blouin

December 11, 2019 [originally published in CV103 in Spring 2016] — It was Lucie Bureau who thought up the organization’s name. She was working at Radio Centre-Ville, a multilingual community radio station broadcasting from St. Lawrence Boulevard in Montreal. The name came to mind because she was producing “vox populi” pieces about social and cultural issues…

Reading Ciel variable: The Magazine as Site of Photographic History – Zoë Tousignant

Essays
Authors: Zoë Tousignant

November 26, 2015 — I have been reading Ciel variable since 1996. A while ago, its editor-in-chief, Jacques Doyon, asked me to write an essay, destined for the Archives section of the magazine’s website, that would demonstrate “the importance of the magazine as a medium and space of exploration for photography.” And so, over the past few weeks, I have been re-reading…

Vincent Lafrance ART SYSTÈME. Magazine d’art et d’idées – Jacques Doyon

Ciel variable 99 - HABITAT | Interviews
Authors: Jacques Doyon, Vincent Lafrance

November 18, 2015 [originally published Winter 2015] — Vincent Lafrance’s work is permeated with the idea of the simulacrum – perception and its faults. Playing with photographic virtuosity and with randomness, he composes visual illusions with traditional photographic means. His body of videographic work uses language as a confusing effect; he produces fictions that fluidly meander between …

Ciel variable 83 – MEDIUM: MAGAZINES

Ciel variable 83 - MEDIUM : MAGAZINES

  [Fall 2009 – Winter 2010] Taken as a whole, what do the images that make up a magazine say? What do their format and positioning reveal? Artists appropriate, divert, or exaggerate the content and layout of existing magazines, seeking to make manifest how the image’s share of the page is structured and tease out […]

Chantal Pontbriand, On the situation of contemporary-art magazines – Jacques Doyon

Ciel variable 79 - COLOURS OF THE CITY | Entrevues, Interviews
Authors: Chantal Pontbriand, Jacques Doyon

[Summer 2008] For thirty years, Chantal Pontbriand has been the guiding light of the magazine Parachute. From the beginning, she positioned it among the internationally significant magazines. In parallel with its publishing activities, the magazine organized a series of events and conferences that were just as notable. In April 2007, Parachute announced a suspension of […]

Twenty Years of Ciel variable – Part Two – Jacques Doyon

Ciel variable 78 - COLLECTING PHOTOGRAPHY | Essays
Authors: Jacques Doyon

[Spring 2008] To complement the first part of our look back at the first twenty years of the magazine, published in our last issue, we want here to emphasize two relatively obscure aspects of our history. The first one is the contribution of photographers to the very first version of the magazine, when its mandate […]

TWENTY YEARS OF CIEL VARIABLE: Twenty Years of Photography – Jacques Doyon

Ciel variable 77 – CULTURAL TOURISM | Essays
Authors: Jacques Doyon

[Fall 2007] by Jacques Doyon This is the first part of our review of twenty years of Ciel variable. It offers an overview of the metamorphoses that the magazine has had over the years as photographic practices evolved, their field of application broadened, they were increasingly recognized by the art world, and their institutional environment […]

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