[Fall 2017] By Érika Nimis [Excerpt] Three solo exhibitions1 (Katia Kameli, Délio Jasse, and Vasco Araújo) organized in London late in 2016 featured episodes from African and European history, particularly during the colonial period, in which the artists used “traces,”2 mainly photographic corpuses dating from the nineteenth and twentieth centuries, updated via different media and […]