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Yto Barrada

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“What Does Momenta Stand For?”. A Look Back at the Biennale de l’image de Montréal, 2017 – Érika Nimis

Ciel variable 108 - GOING PUBLIC | Essays
Authors: Erika Nimis | Artists: Akram Zaatari, Meryl McMaster, Pascal Grandmaison, Taryn Simon, Yto Barrada, Zanele Muholi

February 21, 2018 [originally published in CV108 in Winter 2018] — In June 2017, Le Mois de la Photo de Montréal metamorphosed to the Biennale de l’image, taking on the name MOMENTA, plural of momentum, which means “impetus, energy, force, thrust, drive, impulse”1 and often denotes a favourable or propitious situation. Would the update to this international event devoted to the contemporary fixed and moving image be successful and yet provide continuity with the old formula?…

Yto Barrada, Beaux Gestes – Blake Fitzpatrick

Ciel variable 102 - FAR AWAY, SO CLOSE | Exhibition reviews
Authors: Blake Fitzpatrick | Artists: Yto Barrada

September 18, 2019 [originellement publié à l’hiver 2016] — The rupturing effects of global change – as epitomized recently by news stories about migrants in over-crowded boats, with bodies on deck, in the hull, and in the sea – come to roost at the local level, where the risks of globalization are most exposed but also potentially transformed through acts of resistance…

Snap Judgments, New Positions in Contemporary African Photography – Dominique Fontaine

Ciel variable 74 - LOGOS | Exhibition reviews
Authors: Dominique Fontaine | Artists: Nontsikelelo “lolo” Vekelo, Tracey Rose, Yto Barrada

[Winter 2006-2007] Cet article a été à l’origine uniquement publié en anglais. Vous pouvez le lire en consultant la version anglaise de cette page. International Center of Photography, New York du 15 mars au 28 mai 2006

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