February 21, 2018 [originally published in CV108 in Winter 2018] — In June 2017, Le Mois de la Photo de Montréal metamorphosed to the Biennale de l’image, taking on the name MOMENTA, plural of momentum, which means “impetus, energy, force, thrust, drive, impulse”1 and often denotes a favourable or propitious situation. Would the update to this international event devoted to the contemporary fixed and moving image be successful and yet provide continuity with the old formula?…
[Winter 2017] Artworks created as part of the find-raising campaign (2015-2016) Ciel variable presents the artworks created and acquired during its second fund-raising campaign, conducted in 2015–16. In the same spirit as Sitegeist, the 2012–13 campaign, Artgeist proposed that collectors support the magazine by acquiring an original work created specifically for them. This project also […]
February 23, 2017 [originally published in CV89 in Fall 2011] — Blue-tinged icebergs? Handmade plaster sculptures? The sleek, cool signature of Pascal Grandmaison is hard to discern when we first enter his recent exhibition at Galerie René Blouin. His new works hold several surprises: while they continue his investigation of the mediated photographic act, the figure-ground relationship, and the representation of the invisible, the three works included here are rich in metaphor, melancholy, and artistic modesty.
[Summer 2008] Carleton University Art Gallery, Ottawa January 14 – April 13, 2008 A rupture occurs when an action is played out in its conventional sequence and then witnessed in reverse. The action’s asynchronous interconnection serves as a narrative and visual conceit; time runs forwards and backwards in a rearward déjà vu. In static form, […]
[Spring 2008] by James Campbell Interest in contemporary photography has reached a fever pitch. In 2006, at Sotheby’s in New York, a huge colour print by Andreas Gursky (dating from 1999) went on the block and sold for $2,256,000. Six months earlier, Richard Prince’s seminal work Untitled (Cowboy), a 1989 Ektacolor print of the Marlboro man, […]
[Fall 2004] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract Pascal Grandmaison’s photographic and videographic work is often defined as renewing the concept of the portrait. This text explains that the innovation of Grandmaison’s portraits is situated more in the […]