Ciel variable 106 - TREES, ICE, AND CLOUDS | Exhibition Reviews
Authors: Jean-Pierre Vidal | Artists: Matthieu Brouillard
June 2, 2020 [originally published in CV106 in Spring 2017] — You can read it by switching over to the French version of this page.
Ciel variable 92 – TRUE NORTH | Exhibition Reviews
Authors: Zoë Tousignant | Artists: Donigan Cumming, Matthieu Brouillard
September 26, 2017 [originally published in CV92 in Fall 2012] — Curated by Erin Silver, this bilingually (and cleverly) titled exhibition juxtaposed works by Matthieu Brouillard and Donigan Cumming, two artists who, although they are separated by a generation and consequently possess different measures of experience, are both well known to the Montreal art scene. The act of juxtaposition is, in itself, a strong curatorial statement…
Ciel variable 84 – INHABITED | Exhibition Reviews
Authors: Jean-Pierre Vidal | Artists: Matthieu Brouillard
[Spring 2010] This article was originally published only in French. You can read it by switching over to the French version of this page. Centre Sagamie, Alma Du 3 septembre au 9 octobre 2009
Ciel variable 78 - COLLECTING PHOTOGRAPHY | Essays
Authors: James D. Campbell | Artists: Carlos & Jason Sanchez, Edward Burtynsky, Geoffrey James, Janita Eyre, Loretta Lux, Louis Joncas, Marion Landry, Matthieu Brouillard, Mitch Epstein, Nan Goldin, Pablo Ferrer, Pablo Zutela Zahr, Pascal Grandmaison, Richard Misrach, Roberto Pellegrinuzzi, Rodney Graham, Sarah Morris, Scott McFarland, Stephanie Schneider, William Christenberry
[Spring 2008] by James Campbell Interest in contemporary photography has reached a fever pitch. In 2006, at Sotheby’s in New York, a huge colour print by Andreas Gursky (dating from 1999) went on the block and sold for $2,256,000. Six months earlier, Richard Prince’s seminal work Untitled (Cowboy), a 1989 Ektacolor print of the Marlboro man, […]
Ciel variable 73 - THEATRE OF MELANCHOLIA | Portfolios
Authors: Jean-Pierre Vidal | Artists: Matthieu Brouillard
[Fall 2006] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract With the real artificiality, the true “falseness,” of his images, Matthieu Brouillard eloquently captures the imagination while deflecting the spectator’s regard toward what must be called a reflection on the […]