[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Conversations avec ma famille Galerie B-312, Montréal Du 3 septembre au 3 octobre 2020 Par Charles Guilbert (En français seulement) See the magazine for the complete article and more images: […]
[Fall 2019] This article was originally published only in French. You can read it by switching over to the French version of this page. Compositions | Pale Shadows Centre VOX Du 1er novembre 2019 au 29 février 2020 By Charles Guilbert (In French only) See the magazine for the complete article and more images: […]
[Summer 2020] By Charles Guilbert For the second edition of MOMENTA | Biennale de l’image1 (it had fourteen editions under its previous name, Le Mois de la photo), co-curators María Wills Londoño, Audrey Genois, and Maude Johnson chose an evocative and seemingly paradoxical title: The Life of Things. It was a title that might bring […]
[Fall 2019] This article was originally published only in French. You can read it by switching over to the French version of this page. Dazibao, Montréal Du 7 février au 5 avril 2019 Par Charles Guilbert (French only) [See the printed or digital version of the magazine for the complete article.] Purchase this issue
[Fall 2019] By Charles Guilbert [Excerpt] What strikes the eye in JJ Levine’s work is a unique way of challenging gender norms. But when we look more closely, we discover that Levine wants to erase many borders – in both photography practice and in addressing subjects such as family, time, and space. Levine’s work is […]
October 28, 2019 [originally published in CV102 in Winter 2016] — For a Westerner travelling, it’s quite easy to take striking pictures of India. But what is being portrayed in these images is simply culture shock. One stays at a distance. Since I was in Mumbai to work, what was urgent for me was not so much to take pictures as to understand…
August 7, 2019 [originally published in CV101 in Fall 2015] — Since 2012, Marc-Antoine K. Phaneuf has been working on a series of artworks titled Études préparatoires (dessins d’explosions), which he has presented in various venues and contexts. As he has often done in the past, Phaneuf revives found objects by inscribing them in a system of his own making.
January 16, 2019 [originally published in CV98 in Fall 2014] — It is quite uncommon for the association of two exhibitions to create a dialogue that becomes an artwork in itself. Yet, this is what Dazibao did by bringing together works by Jacinthe Lessard-L. and by the duo formed of Lorna Bauer and Jon Knowles. Their respective works, although different in tonality and look, intertwine to lead viewers into a surprising reflection on darkness…
October 18, 2017 [originally published in French in CV92 in Fall 2012] — Sometimes, thanks to a curator’s insight, a group exhibition be comes a work of art in itself. This is the case for “Chronicles of a Disappearance,” in which John Zeppetelli not only presents five artworks of an extraordinary density but, in bringing them together, weaves networks of meaning that greatly strengthen each artwork.
March 9, 2017 [originally published in CV89 in Fall 2011] — In John Max, a portrait, Michel Lamothe proves that an attentive gaze trained on the other may be transmuted into a deep meditation. To create this work, which is as fluid as a fiction film, Lamothe followed the photographer John Max for three years (from 2000 to 2003), accumulating 40 hours of footage – film that he spent months pruning and then editing, in collaboration with Louise Dugal…