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Meryl McMaster

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Meryl McMaster, There Once Was A Song — Stéphanie Hornstein

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition Reviews
Authors: Stéphanie Hornstein | Artists: Meryl McMaster

[Fall 2021] Occurrence, espace d’art et d’essai McCord Museum, Montreal April 2 — August 15, 2021 By Stéphanie Hornstein [Excerpt] Starlings have pride of place in Meryl McMaster’s heart. In 2013, she produced a photographic triptych, Murmur, that shows a young woman, the artist herself, gently twirling within a swarm of paper starlings. Grounded in […]

“What Does Momenta Stand For?”. A Look Back at the Biennale de l’image de Montréal, 2017 – Érika Nimis

Ciel variable 108 - GOING PUBLIC | Essays
Authors: Erika Nimis | Artists: Akram Zaatari, Meryl McMaster, Pascal Grandmaison, Taryn Simon, Yto Barrada, Zanele Muholi

February 21, 2018 [originally published in CV108 in Winter 2018] — In June 2017, Le Mois de la Photo de Montréal metamorphosed to the Biennale de l’image, taking on the name MOMENTA, plural of momentum, which means “impetus, energy, force, thrust, drive, impulse”1 and often denotes a favourable or propitious situation. Would the update to this international event devoted to the contemporary fixed and moving image be successful and yet provide continuity with the old formula?…

Do the Clothes Make the Man? – Bénédicte Ramade

Ciel variable 101 - STRATA | Essays
Authors: Bénédicte Ramade | Artists: Dana Claxton, Dayna Danger, Lori Blondeau, Meryl McMaster, Rosalie Favell, Shelley Niro, Skawennati, Terrance Houle

Dress codes categorize their users, signal their belonging to a social group: clothes worn in subcultures, from mods to punks,1 for example, act as symbols and incentives to resist normalcy and bourgeois society – considered, of course, to be coercive. In Indigenous cultures, artists have also appropriated clothes to resist the confinement of their representation […]

CONTACT 2013 : FIELD OF VISION – Jill Glessing, Expanding our Field with Contact Festival

Ciel variable 96 – PERFORMING FOR THE IMAGE | Essays
Authors: Jill Glessing | Artists: Adam Broomberg, Andrew Wright, Arnaud Maggs, Marie Cosindas, Marlene Creates, Meryl McMaster, Oliver Chanarin, Robert Flaherty, Sebastião Salgado

August 15, 2018 [originally published in CV96 in Winter 2014] — In its fifteenth year, Contact, the world’s largest photography festival, offered an expanded schedule of photography-based adventures that included films, workshops, 174 exhibitions, and a three-day symposium featuring international curators and critics. Following a line-up that included Geoffrey Batchen and Joel Snyder…

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