Bénédicte Ramade - Ciel variable Magazine

Anthropocene Fatigue: Edward Burtynsky’s Strategy of Collapse — Bénédicte Ramade

Ciel variable 112 - COLLECTIONS REVISITED | Essays
Authors: Bénédicte Ramade | Artists: Edward Burtynsky

[Summer 2019] By Bénédicte Ramade [Excerpt] From the start it seems taken for granted: Edward Burtynsky’s Anthropocene at the National Gallery of Canada will be technophilic.1 At every opportunity. Even as stratigraphers are still discussing the contours of this geological epoch attributed to human activity, still bitterly arguing over the relevance of the very word […]

Yann Pocreau, Les surfaces de lumière — Bénédicte Ramade, The Life of Colours

Ciel variable 111 - THE SPACE OF COLOUR | Portfolios
Authors: Bénédicte Ramade | Artists: Yann Pocreau

June 14, 2022 [originally published in CV111 in Winter 2019] — By Bénédicte Ramade. In one of his most recent series, Réponses à la peinture, Yann Pocreau establishes an interplay of brightly coloured superimpositions, transparencies, and opacities…

Bénédicte Ramade, The Edge of the Earth, Climate Change in Photography and Video – An interview by Jacques Doyon

Ciel variable 104 - FROM ANOTHER ANGLE | Essays, Interviews
Authors: Bénédicte Ramade, Jacques Doyon

March 3, 2020 [originally published in CV104 in Fall 2016] — The Edge of the Earth focuses on contributions by various artists and journalists to the recognition and consideration of issues linked to climate change, with a particular emphasis on the challenges posed by recognition of the central role played by humans in the disruption of their environment in what is now known as the Anthropocene Era.

Do the Clothes Make the Man? – Bénédicte Ramade

Ciel variable 101 - STRATA | Essays
Authors: Bénédicte Ramade | Artists: Dana Claxton, Dayna Danger, Lori Blondeau, Meryl McMaster, Rosalie Favell, Shelley Niro, Skawennati, Terrance Houle

Dress codes categorize their users, signal their belonging to a social group: clothes worn in subcultures, from mods to punks,1 for example, act as symbols and incentives to resist normalcy and bourgeois society – considered, of course, to be coercive. In Indigenous cultures, artists have also appropriated clothes to resist the confinement of their representation […]

Family of Man | New Topographics, Audacity by Proxy : The Reiteration of Exhibitions – Bénédicte Ramade

Ciel variable 97 - PORTRAIT GALLERY | Essays
Authors: Bénédicte Ramade

October 24, 2018 [originally published in CV97 in Spring 2014] — The two last decades have seen the growth of a complex phenomenon: exhibition reproductions. A reprise produced as the inclusion of a “period room” doesn’t have the same effects as a complete restaging of a famous precedent in twentieth-century art history…

Phil Chadwick, Creative Scene Investigation – Bénédicte Ramade, Tom Thomson in the Light of Forensic Meteorology

Ciel variable 93 – FORENSICS | Portfolios
Authors: Bénédicte Ramade | Artists: Phil Chadwick

December 20, 2017 [originally published in CV93 in Winter 2013] — Meteorology is a science of prediction. Every day, 2.5 quintillion bytes of information are analyzed in order to anticipate precipitation, predict temperatures, and so on.¹ The weather report, on tv or radio, has become an indispensable barometer, and there are now countless weather “aps” available…