[June 30, 2020] It was practically impossible for the 10th Scotiabank Photography Award, with its $50,000 prize, not to go to a woman, as seven nominees out of the eleven were female. From the all-woman list of finalists, it was Dana Claxton, a Vancouver artist known for her themes of Indigenous beauty, the body, and […]
Dress codes categorize their users, signal their belonging to a social group: clothes worn in subcultures, from mods to punks,1 for example, act as symbols and incentives to resist normalcy and bourgeois society – considered, of course, to be coercive. In Indigenous cultures, artists have also appropriated clothes to resist the confinement of their representation […]
November 29, 2016 [originally published in CV88, Spring 2011] — “Four Directions: A No. 9 Public Film and Video Exhibition” juxtaposes Werner Herzog’s film Lessons of Darkness (1992), a documentation of the oil fields burning at the conclusion of the Persian Gulf War, with video works by Isabelle Hayeur, Val Klassen, and Dana Claxton.
[Summer 2009] Canadian Museum of Contemporary Photography at the National Gallery of Canada, Ottawa October 31, 2008 – March 22, 2009 What if sacred masks and the geopolitical pomp of costumes had preceded posed portraits and scenes for the camera? Then, in the photographic gaze, not only would there be different works, but there would […]