Arnaud Maggs - Ciel variable Magazine

CONTACT 2013 : FIELD OF VISION – Jill Glessing, Expanding our Field with Contact Festival

Ciel variable 96 – PERFORMING FOR THE IMAGE | Essays
Authors: Jill Glessing | Artists: Adam Broomberg, Andrew Wright, Arnaud Maggs, Marie Cosindas, Marlene Creates, Meryl McMaster, Oliver Chanarin, Robert Flaherty, Sebastião Salgado

August 15, 2018 [originally published in CV96 in Winter 2014] — In its fifteenth year, Contact, the world’s largest photography festival, offered an expanded schedule of photography-based adventures that included films, workshops, 174 exhibitions, and a three-day symposium featuring international curators and critics. Following a line-up that included Geoffrey Batchen and Joel Snyder…

The Bigger Picture – Karen Love, The Bigger Picture: Portraits from Ottawa

Ciel variable 62 - TERRITORY | IDENTITY | Portfolios
Authors: Karen Love | Artists: Alexandre Castonguay, Allan MacKay, Arnaud Maggs, Barbara Woodley, Charles Gagnon, Chris Lund, Chris Mikula, David Barbour, David Cation, Duncan Cameron, Evergon, Germaine Koh, Jeffrey Thomas, Jerry Grey, Justin Wonnacott, Ken Lum, Larissa Fassler, Lynn Ball, Max Dean, Michael Schreier, Michael Snow, Paul Couvrette, Rod MacIvor, Sylvain Cousineau, Tony Fouhse, Trevor Gould

[Winter 2003] The Bigger Picture: Portraits from Ottawa, organized for the Ottawa Art Gallery by Karen Love, gathers together over 200 Ottawa portraits by 78 image-makers, presented thematically in order to provoke a range of questions about how we understand the idea of a portrait. No longer simply an accurate depiction of physical characteristics or […]

Arnaud Maggs, Notification – Russell Keziere, Convergence sans coïncidence

Ciel variable 39 - AUTHENTICITY 1 | Portfolios
Authors: Russell Keziere | Artists: Arnaud Maggs

[Summer 1997] We live in a time when all communication happens under a cloud of erasure. We are conditioned instinctively to call into question vested interests and hidden, undisclosed motives. In this cloud of postmodern skepticism, words and representations are equivocal – until proven innocent. We negate before we can feel safe to affirm. By […]