Vid Ingelevics - Ciel variable Magazine

Blake Fitzpatrick and Vid Ingelevics, Freedom Rocks: The Everyday Life of the Berlin Wall – Jill Glessing, The Mobile Ruin and The Labour of Commemoration

Ciel variable 109 - REVISIT | Portfolios
Authors: Jill Glessing | Artists: Blake Fitzpatrick, Vid Ingelevics

[Spring-Summer 2018] By Jill Glessing [Excerpt] Movement is elemental to existence. Since we made our slow crawl from sea to land we’ve been “on the road” seeking better environments. But another force – territorialism – counters that drive and stems our free flow with walls, great and small. Modernity brought increasing privatization of space through […]

Patrick Altman and Vid Ingelevics, Codicologie(s) – Jacques Doyon

Ciel variable 61 - MODERNE | VERNACULAIRE | Exhibition Reviews
Authors: Jacques Doyon | Artists: Patrick Altman, Vid Ingelevics

[Summer 2003] This article was originally published only in French. You can read it by switching over to the French version of this page. Gallery 44, Toronto du 6 février au 8 mars 2003

Vid Ingelevics, Between art and Art – Elizabeth Legge

Ciel variable 59 - ARCHIVES
Authors: Elizabeth Legge | Artists: Vid Ingelevics

[Fall 2002] Between art and Art deals with the peculiar aspects of the work of museum photographers, whose large-format photographs of works of art, exhibition installations, and other details of the museum’s operations and its architecture are neither purely technical documentation nor art photography. Ingelevics capitalizes on the dense detail of this photography, which often […]

Vid Ingelevics, Project Photographs 1992-2001 – Gary Michael Dault

Ciel variable 55 – BOUNDARIES | Exhibition Reviews
Authors: Gary Michael Dault | Artists: Vid Ingelevics

[Fall 2001] The Stephen Bulger Gallery, Toronto June 14–July 28, 2001 This small but deftly selected sampling of Vid Ingelevics’s work of the past decade left the viewer feeling that the veteran Toronto-based photographer and curator could now be well served by a full-scale retrospective exhibition. Yet, given the way the photographs shown here seemed […]