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Richard Mosse

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Richard Mosse, The Castle – Sylvain Campeau, Human Traces

Ciel variable 110 - MIGRATION | Portfolios
Authors: Sylvain Campeau | Artists: Richard Mosse

January 26, 2022 [originally published in CV110 in Fall 2018 ] — As he had first done in 2011 and 2013 for Infra and The Enclave, Mosse uses a military tracking technology. In those series, it was an infrared film camera capable of detecting human presences in dense foliage…

Richard Mosse, The Enclave – Zoë Tousignant

Ciel variable 100 - REPLAY | Exhibition Reviews
Authors: Zoë Tousignant | Artists: Richard Mosse

May 6, 2019 [originally published in CV100 in Spring 2015] — One would have to be a seasoned cynic to be indifferent to Richard Mosse’s film installation The Enclave (2012–13). Visually, it is an impressionistic, six-screened montage of beautifully lurid hues of hot pink; politically, it reveals a heretofore unseen side of the conflict that has ravaged the Democratic Republic of Congo since 1998; and theoretically, it raises fundamental questions regarding the meaning and function of images of war…

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CV123 - Seeing Through Images | Current Issue | Fall 2023 | Cover Image
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