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Blake Fitzpatrick

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Mary Kavanagh, Daughters of Uranium – Blake Fitzpatrick, Embodied Politics

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Authors: Blake Fitzpatrick | Artists: Mary Kavanagh

[Summer 2020] By Blake Fitzpatrick Uranium is an unstable element. It breaks down over time – a very long time. Naturally occurring uranium-238 has a half-life of 4.468 billion years, meaning that it takes that amount of time for half of the uranium to transform into other elements in a radioactive decay chain. The elements […]

Yto Barrada, Beaux Gestes – Blake Fitzpatrick

Ciel variable 102 - FAR AWAY, SO CLOSE | Exhibition reviews
Authors: Blake Fitzpatrick | Artists: Yto Barrada

September 18, 2019 [originellement publié à l’hiver 2016] — The rupturing effects of global change – as epitomized recently by news stories about migrants in over-crowded boats, with bodies on deck, in the hull, and in the sea – come to roost at the local level, where the risks of globalization are most exposed but also potentially transformed through acts of resistance…

Omer Fast, Continuous Coverage – Blake Fitzpatrick

Ciel variable 94 – PUBLIC ART | Essays
Authors: Blake Fitzpatrick | Artists: Omer Fast

March 14, 2018 [originally published in CV94 in Spring 2013] — Omer Fast is not a documentarian, but his solo exhibition at The Power Plant Contemporary Art Gallery did draw attention to the strategies of an artist working, as Jeff Wall put it, “near documentary.” Spanning the last decade, the exhibition referenced sites of recent global conflict with three video works that quoted documentary or journalistic convention…

Four Directions, No.9, Public Film and Video Exhibition – Blake Fitzpatrick

Ciel variable 88 - FACES | Exhibition reviews
Authors: Blake Fitzpatrick | Artists: Dana Claxton, Isabelle Hayeur

November 29, 2016 [originally published in CV88, Spring 2011] — “Four Directions: A No. 9 Public Film and Video Exhibition” juxtaposes Werner Herzog’s film Lessons of Darkness (1992), a documentation of the oil fields burning at the conclusion of the Persian Gulf War, with video works by Isabelle Hayeur, Val Klassen, and Dana Claxton.

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