Adapted from a photographic book, the exhibition Phobos Deimos took the form of a labyrinth, in which Simon Émond evoked the figures of Fear and Terror, as well as that of the monster. The transition from the “invocatory cry” of the original project to an immersive experience of the images was a success, according to Bernard Lamarche. “We may emerge unscathed from [our encounter with the monster],” he writes, “or, as this exhibition did so well, it will swallow us.”