After a career as a photojournalist and war correspondent that earned him the highest honours, Luc Delahaye made the radical decision to leave that profession and produce images solely as an artist. The some seventy-four works he has created since 2001 nonetheless address the same subjects: scenes of devastation and war, their impact on civilian populations, portraits of victims, and political or institutional gatherings. Yet, according to Stephen Horne, the shift in Delahaye’s practice marks a move toward emotion.