The retrospective that the MOCA in Toronto devoted to Jeff Wall brought together both his early backlit lightbox works, large-scale tableau photographs, and more stripped-down black-and-white compositions. Like classic rock, Wall’s images are now more than ever treated as historical tableaux, according to Kenneth Hayes.While, in his view, “a scrim of time and familiarity blurs and softens their perception,” the exhibition clearly highlighted the Vancouver artist’s command of composition, framing, montage, and scale.