Ciel variable 117 - SHIFTED | Book Reviews
Authors: Amélie Giguère, Anne Bénichou
[Summer 2021] This article was originally published only in French. You can read it by switching over to the French version of this page. Rejouer le vivant. Les reenactments, des pratiques culturelles et artistiques (in)actuelles Anne Bénichou Dijon, Les presses du réel, 2020, 421 p. Par Amélie Giguère (En français seulement) See the magazine […]
Ciel variable 102 - FAR AWAY, SO CLOSE | Book Reviews
Authors: Anne Bénichou, Franz Anton Cramer
August 28, 2019 [originally published in CV102 in Winter 2016] — You can read it by switching over to the French version of this page.
Ciel variable 100 - REPLAY | Book Reviews
Authors: Anne Bénichou
April 8, 2019 [originally published in CV100 in Spring 2015] — You can read it by switching over to the French version of this page.
Ciel variable 90 – COLLABORATIONS | Book Reviews
Authors: Anne Bénichou, Felicity Tayler
April 12, 2017 [originally published in CV90 in Winter 2012] — The title of this volume, which translates as “Open the document,” is an imperative: it urges you to unfold the cover, printed in solid gold ink, of a perfect-bound paperback. This materiality suggests that the contents are both precious and brilliant, and that there is urgency in its message…
Ciel variable 87 – SERIES | Interviews
Authors: Anne Bénichou, Vincent Bonin
August 22, 2016 [originally published in Winter 2011] — An artist, archivist, historian, and art theoretician by training, the independent curator Vincent Bonin has recently organized, alone or in collaboration, a series of exhibitions that shed light on a turning point in the history of Canadian contemporary art: the late 1960s and early 1970s. Bonin’s principal subjects of reflection are discursive productions, the conditions for their expression and …
Ciel variable 86 - PERFORMANCE | Essays
Authors: Anne Bénichou
August 1, 2016 [originally published in Fall 2010] — In 2004, at Dazibao, “Performance et photographie: Point and Shoot” explored the close connections between performance and photography. In this exhibition, performance images were envisaged beyond their documentary function, as works in their own right. In 2007, the Leonard & Bina Ellen Gallery at Concordia University presented “9 Evenings Reconsidered: Art, Theatre, and Engineering, 1966,” an exhibition devoted to the eponymous evening of experimental performances held in New York in 1966…
Ciel variable 86 - PERFORMANCE | Essays
Authors: Anne Bénichou
[Fall 2010] documents [de] PERFORMANCE Historic performances are currently being updated in different forms: exhibitions, appropriations, remediations, and re-enactments. These practices raise a number of questions about the status of performance documentation (photos, videos, and films in particular) and how it is interpreted, adressed here through multiple recent examples. DAVID TOMAS Tim Clark. Reading the […]
Ciel variable 83 - MEDIUM : MAGAZINES | Portfolios
Authors: Anne Bénichou | Artists: Christian Boltanski
[Fall 2009] Signal (2004), by Christian Boltanski, is a series of colour plates taken from the magazine Signal, a propaganda organ of the Nazi regime issued bimonthly from April 1940 to March 1945 with a print run of 2.5 million copies. Excerpted from the original page sequences, these plates juxtapose portrayals of war and culture that […]
Ciel variable 68 – MEMORIES OF THE DISASTER | Portfolios
Authors: Anne Bénichou | Artists: Melvin Charney
[Summer 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract In the early 1970s, Melvin Charney began a work in progress, UN DICTIONNAIRE…, a collection of press-agency photographs, published in newspapers, in which buildings and cities involved in current events […]
Ciel variable 59 - ARCHIVES | Essays
Authors: Anne Bénichou | Artists: Angela Grauerholz, Melvin Charney
[Fall 2002] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract Since the 1960s, a number of Western art practices have revived the æsthetic of the photographic archive as it was developed in the nineteenth century. Starting from the work of […]
Ciel variable 54 - GARDENS-LANDSCAPES | Exhibition reviews
Authors: Anne Bénichou | Artists: Vera Greenwood
[Spring 2001] This article was originally published only in French. You can read it by switching over to the French version of this page. Carleton University Art Gallery, Ottawa 5 février – 15 avril 2001