Michèle Cohen Hadria - Ciel variable Magazine

Judith Joy Ross, Photographies 1978–2015 — Michèle Cohen Hadria

Ciel variable 122 – NIGHT ROUNDS | Exhibition Reviews
Authors: Michèle Cohen Hadria | Artists: Judith Joy Ross

[Winter 2023] By Michèle Cohen Hadria LE BAL, Paris 16.03.2022 — 18.09.2022 [Excerpt] Portraiture is not my favourite photographic genre. However, when I visited the first exhibition of Judith Joy Ross’s work in France, I felt that it opened a world to me – one built of respect for and a subtle approach to human […]

Barbara Breitenfellner, Rêve (…) — Michèle Cohen Hadria

Ciel variable 113 - TRANS-IDENTITIES | Exhibition Reviews
Authors: Michèle Cohen Hadria | Artists: Barbara Breitenfellner

[Fall 2019] This article was originally published only in French. You can read it by switching over to the French version of this page. Centre Photographique d’Île-de-France Du 2 mai au 13 juillet 2019 Par Michèle Cohen Hadria (French only) [See the printed or digital version of the magazine for the complete article.] Purchase this […]

Taysir Batniji, Home Away From Home — Michèle Hadria

Ciel variable 111 - THE SPACE OF COLOUR | Exhibition Reviews
Authors: Michèle Cohen Hadria | Artists: Taysir Batniji

[Winter 2019] This article was originally published only in French. You can read it by switching over to the French version of this page.

Peter Campus – Michèle Cohen Hadria

Ciel variable 107 - RUINS | Exhibition Reviews
Authors: Michèle Cohen Hadria | Artists: Peter Campus

October 20, 2020 [originally published in French only in CV107 in Fall 2017] — You can read it by switching over to the French version of this page.

Daido Moriyama – Michèle Cohen Hadria  

Ciel variable 103 - NATURE | Exhibition Reviews
Authors: Michèle Cohen Hadria | Artists: Daido Moriyama

November 13, 2019 [originally published in CV103 in Spring 2016] — You can read it by switching over to the French version of this page.

Mark Lewis, Above and Below – Michèle Cohen Hadria

Ciel variable 101 - STRATA | Exhibition Reviews
Authors: Michèle Cohen Hadria | Artists: Mark Lewis

June 25, 2019 [originally published in CV101 in Fall 2015] — You can read it by switching over to the French version of this page.

La Biennale de Venise, Les petites nations – Michèle Cohen Hadria

Ciel variable 83 - MEDIUM : MAGAZINES | Exhibition Reviews
Authors: Michèle Cohen Hadria | Artists: Jamshed Kholikov, Paolo William Tamburella, Taysir Batniji

[Fall 2009] This article was originally published only in French. You can read it by switching over to the French version of this page. Les petites nations Du 7 juin au 22 novembre 2009

Hala Elkoussy, Peripheral (and Other Stories) – Michèle Cohen Hadria

Ciel variable 73 - THEATRE OF MELANCHOLIA | Exhibition Reviews
Authors: Michèle Cohen Hadria | Artists: Hala Elkoussy

[Fall 2006] This article was originally published only in French. You can read it by switching over to the French version of this page. Stedelijk Museum Amsterdam du 2 avril au 14 mai 2006

Linea di Confine : William Guerrieri, Sergio Buffini, Marco Signorini, Paola di Bello, Guido Guidi – Michèle Cohen Hadria, Le lointain est ici

Ciel variable 62 - TERRITORY | IDENTITY | Portfolios
Authors: Michèle Cohen Hadria | Artists: Guido Guidi, Marco Signorini, Paola Di Bello, Sergio Buffini, William Guerrieri

[Winter 2003] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract The Linea de Confine movement in Emilie Romagne (northern Italy), both conceptual and empirical in its relationship with the territory, follows the lineage of Italian photography of the 1970s – […]

Catherine Poncin, Du champ des hommes, territoires – Michèle Cohen Hadria, « Du champ des hommes »…

Ciel variable 59 - ARCHIVES
Authors: Michèle Cohen Hadria | Artists: Catherine Poncin

[Fall 2002] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract Manifesting her propensity for memory, Catherine Poncin takes no photographs; instead, she draws from a corpus of urban and community archives to gather significant, often unperceived “layers.” In Bobigny, a […]