May 9, 2018 [originally published in CV95 in Fall 2013] — Lynne Cohen’s recent exhibition at the Musée d’art contemporain de Montréal presents much more than a display of captivating and masterful large-size photographs of interior spaces. At first glance, False Clues could be described as an imposing photographic project documenting ordinary interior spaces. However, the titles of the twenty-five chromogenic prints and fifteen gelatin-silver prints selected for the show (like those of most of her photographs) discourage any documentary connotation…