
Ciel variable 66 – ANGELA GRAUERHOLZ
[May 2005] EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS Purchase this issue See also Ciel variable 66B – RAYMONDE APRIL
[May 2005] EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS Purchase this issue See also Ciel variable 66B – RAYMONDE APRIL
Ciel variable 66 - ANGELA GRAUERHOLZ | Editorial
Authors: Jacques Doyon | Artists: Angela Grauerholz
[Spring 2005] by Jacques Doyon This issue of CV ciel variable is extraordinary in more than one way. Our portfolio pages are devoted exclusively to presenting a work that we feel is particularly important, Reading Room for the Working Artist, Angela Grauerholz’s most recent piece. This issue also includes an insert, produced in collaboration with […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Portfolios
Artists: Angela Grauerholz
[Spring 2005]
Ciel variable 66 - ANGELA GRAUERHOLZ | Essays
Authors: Cheryl Simon | Artists: Angela Grauerholz
by Cheryl Simon The relation of language to the world is one of analogy rather than of signification; or rather, [the value of words] as signs and their duplicating function are superimposed; they speak the heaven and the earth of which they are the image. Language possesses a symbolic function; but since the disaster at […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Portfolios
Artists: Angela Grauerholz
[Spring 2005] There is no question of inventing the flaneuse: the essential point is that such a character was rendered impossible by the sexual divisions of the nineteenth century. Nor is it appropriate to reject totally the existing literature on modernity, for the experiences it describes certainly defined a good deal of the lives of […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Portfolios
Artists: Angela Grauerholz
[Spring 2005] This article was originally published only in French. You can read it by switching over to the French version of this page.
Ciel variable 66 - ANGELA GRAUERHOLZ | Essays
Authors: Colette Tougas | Artists: Angela Grauerholz
[Spring 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract In this essay, the author stresses two characteristics of Angela Grauerholz’s photographic corpus: the fortuitous and the systematic. The author highlights the important role played by desire on the part […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Portfolios
Artists: Angela Grauerholz
[Spring 2005] World-view and self-image are indissolubly intertwined with each other. The way man sees the world is the way he sees himself; the way he conceives himself is the way he conceives the world. Alterations in his view of the world lead to alterations in his view of himself and vice versa. ⎯ Christopher […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Portfolios
Artists: Angela Grauerholz
[Spring 2005] This article was originally published only in French. You can read it by switching over to the French version of this page.
Ciel variable 66 - ANGELA GRAUERHOLZ | Portfolios
Artists: Angela Grauerholz
[Spring 2005] This article was originally published only in French. You can read it by switching over to the French version of this page.
Ciel variable 66 - ANGELA GRAUERHOLZ | Portfolios
Artists: Angela Grauerholz
[Spring 2005] This article was originally published only in French. You can read it by switching over to the French version of this page.
Ciel variable 66 - ANGELA GRAUERHOLZ | Portfolios
Artists: Angela Grauerholz
[Spring 2005] The question today is, however – perhaps has always been – how somebody can appropriate (in fact steal) somebody else’s doing and yet make something of it that is uniquely his own. In other words, the question is not what are the models to be followed or that are being followed, but what […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Exhibition Reviews
Authors: Vid Ingelevics | Artists: Alexandre Castonguay
[Spring 2005] The Truth Will Be Known when the Last Witness Is Dead: Documents from the Fakhouri File at the Atlas Group Archive AGYU at Prefix ICA, Toronto, September 16–November 27, 2004 At the heart of history is a critical discourse that is antithetical to spontaneous memory. History is perpetually suspicious of memory, and its […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Exhibition Reviews
Authors: Chen Tamir, Vid Ingelevics | Artists: Atlas group, Walid Raad
[Spring 2005] I Was Overcome by a Momentary Panic at the Thought that They Were Right: Documents from the Nassar Files in the Atlas Group Archive Art Gallery of York University, Toronto, 15 September–14 November, 2004 Mortar shells were almost a daily occurrence the year I was posted in Lebanon as part of my service […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Exhibition Reviews
Authors: Sylvain Campeau | Artists: Alexandre Castonguay
[Spring 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. Pierre-François Ouellette Art contemporain, Montréal du 17 juin au 11 septembre 2004
Ciel variable 66 - ANGELA GRAUERHOLZ | Exhibition Reviews
Authors: Michel Hellman | Artists: Mark Lewis, Mary Kunuk
[Spring 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. commissaire : Marie Fraser Vox, Montréal 28 avril au 16 octobre et 8 mai au 10 juillet 2004
Ciel variable 66 - ANGELA GRAUERHOLZ | Exhibition Reviews
Authors: Colin Burnett | Artists: Peter Greenaway
[Spring 2005] Tulse Luper Suitcases (Parts I–III, 2003–04) The Montreal Festival of Nouveau Cinema October 14-24, 2004 Even under “normal” circumstances, Peter Greenaway is a “difficult” director. With Tulse Luper Suitcases, the filmmaker makes the viewer leap out of trenches to confront three films totalling seven hours in length – and not just any three, […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Exhibition Reviews
Authors: SB Edwards | Artists: Thomas Kneubühler
[Spring 2005] Office 2000 Skol, Montréal du 3 septembre au 2 octobre 2004 The vivid night shots feature generic office-tower exteriors, often providing direct views into the cubicles within. The similarity between the buildings is eased by the variation in range from the subjects. The more distant vantages confront us with the sheer might and […]
Ciel variable 66 - ANGELA GRAUERHOLZ | Exhibition Reviews
Authors: Marie Fraser | Artists: Bettina Hoffmann
[Spring 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. Spoilsport / Trouble-fête Galerie Liane et Danny Taran, Montréal du 15 juillet au 26 septembre 2004
Ciel variable 66 - ANGELA GRAUERHOLZ | Exhibition Reviews
Authors: Jessica Fung | Artists: David Rokeby
[Spring 2005] Oakville Galleries, Oakville, Ontario 25 June to 17 October 2004 David Rokeby is perhaps one of Canada’s most important figures in the art world – certainly in the electronic art world. He has received the Prix Ars Electronica Golden Nica, presented at the Venice Biennale, and the Governor General’s Award in Visual and […]