[Summer 2005]
Portfolios : MELVIN CHARNEY, BERTRAND CARRIÈRE, LIZA NGUYEN, DENIS FARLEY.
Reviews : Claude-Philippe Benoît, Thomas Demand, Karen Henderson, Michel de Broin et Ève K. Tremblay.
Authors : Jacques Doyon, Anne Bénichou, Gary Michael Dault, Octave Debary, Johanna Mizgala, Suzanne Paquet, Johanna Mizgala, Sylvain Campeau, Natalie Olanick.
Ciel variable 68 – MEMORIES OF THE DISASTER | Editorial
Authors: Jacques Doyon
[Summer 2005] by Jacques Doyon The works in this issue fall under the sign of things that are beyond comprehension. The list of catastrophic events that have left bitter traces on our democratic ideals in the last half-century is long. Current events dealt with in contemporary visual arts bring to mind some of these unimaginable […]
Ciel variable 68 – MEMORIES OF THE DISASTER | Portfolios
Authors: Anne Bénichou | Artists: Melvin Charney
[Summer 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract In the early 1970s, Melvin Charney began a work in progress, UN DICTIONNAIRE…, a collection of press-agency photographs, published in newspapers, in which buildings and cities involved in current events […]
Ciel variable 68 – MEMORIES OF THE DISASTER | Portfolios
Authors: Gary Michael Dault | Artists: Bertrand Carrière
[Summer 2005] In three recent interrelated works, Bertrand Carrière explores ways of expressing the memories embedded in the landscape at the site of the Dieppe Raid of 1942. The Caux series constitutes a long meditation on the sense of purposelessness and loss embodied by that very landscape. It was preceded by Jubilee, an installation in […]
Ciel variable 68 – MEMORIES OF THE DISASTER | Portfolios
Authors: Octave Debary | Artists: Liza Nguyen
[Summer 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. Abstract What meaning should be given to the commemoration of the thirtieth anniversary of the fall of Saigon? This text analyzes how Souvenirs du Vietnam, a work by Liza Nguyen, offers […]
Ciel variable 68 – MEMORIES OF THE DISASTER | Portfolios
Authors: Johanna Mizgala | Artists: Denis Farley
[Summer 2005] In his Irradiations series as in his earlier works, Denis Farley partakes in an ongoing investigation of the nature of photography as a self-conscious gesture. In a string of works produced following a site-specific group exhibition in the Canadian government’s once top-secret underground bunker, and now a decommissioned relic of the Cold War, […]
Ciel variable 68 – MEMORIES OF THE DISASTER | Exhibition Reviews
Authors: Suzanne Paquet | Artists: Claude-Philippe Benoît
[Summer 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. Galerie Lilian Rodriguez Du 19 mars au 23 avril 2005
Ciel variable 68 – MEMORIES OF THE DISASTER | Exhibition Reviews
Authors: Johanna Mizgala | Artists: Thomas Demand
[Summer 2005] The Museum of Modern Art, New York 4 March – 30 May, 2005 Looking at one of Thomas Demand’s photographs of a carefully replicated environment provokes a strange sensation of simultaneous recognition and disavowal. The composition contains familiar objects, and it seems familiar because it stems from seeing a similar image in another […]
Ciel variable 68 – MEMORIES OF THE DISASTER | Exhibition Reviews
Authors: Sylvain Campeau | Artists: Eve K. Tremblay, Michel de Broin
[Summer 2005] This article was originally published only in French. You can read it by switching over to the French version of this page. Honeymoons Pierre-François Ouellette Art contemporain, Du 6 novembre au 18 décembre 2004
Ciel variable 68 – MEMORIES OF THE DISASTER | Exhibition Reviews
Authors: Natalie Olanick | Artists: Karen Henderson
[Summer 2005] Optica Centre for Contemporary Arts, Montréal March 5 to April 9, 2005 There has always been a quiet elegance to Karen Henderson’s works. The artist, generally working with photo-based installations, is interested in the creation of carefully executed, labour-intensive works, in which consideration of the materials used moves beyond the object itself and […]