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Richard Baillargeon

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Anticoste of Richard Baillargeon, Fragments for a History – Pierre Dessureault

Ciel variable 94 – PUBLIC ART | Essays
Authors: Pierre Dessureault | Artists: Richard Baillargeon

March 19, 2018 [originally published in CV94 in Spring 2013] — Richard Baillargeon’s Anticoste is presented as a complex composition of heterogeneous materials organized in groups to create vast networks of significances, echoes, and resonances and to constitute a reflection both on the history of Anticosti and on the narrative processes implemented in knowledge and the relationship with the past.

Richard Baillargeon, Les marques de l’exsangue

Ciel variable 80 - IMAGE BANKS | Exhibition Reviews
Authors: Sylvain Campeau | Artists: Richard Baillargeon

[Fall 2008] This article was originally published only in French. You can read it by switching over to the French version of this page. Galerie Expression, St-Hyacinthe 15 mars au 27 avril 2008 Commissaire : Lisanne Nadeau

Richard Baillargeon – Jennifer Couëlle

Ciel variable 39 - AUTHENTICITY 1 | Exhibition Reviews
Authors: Jennifer Couëlle | Artists: Richard Baillargeon

[Summer 1997] Dazibao, Montreal, January 16–February 23 Maison de la culture Côte-des-Neiges, Montreal, January 23–February 23 While images, whether photographic or other, necessarily give us something to look at, only some remind us that we are looking. And in the case of photography, with its inherent potential for the voyeuristic “gaze,” the sense of sight […]

Richard Baillargeon, Champs / la mer – Lisanne Nadeau, Champs / la mer, L’anonymat de l’âme

Ciel variable 28 - PHOTO, SPECIFICITY, ECLECTISM | Portfolios
Authors: Lisanne Nadeau | Artists: Richard Baillargeon

[Fall 1994] by Lisanne Nadeau L’anonymat de l’âme1 Through a gaze both anxious and passionate, Richard Baillargeon seeks temporary shelter. He explores territories of the individual, which he describes as “the universe of what is near.” To better understand the path the artist has chosen, let us look back to when the idea of travel […]

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