Adam Broomberg – Ciel variable Magazine

Adam Broomberg & Oliver Chanarin. Scarti – Paul Paper, Reason for photography in Dustbin

Ciel variable 101 - STRATA | Portfolios
Authors: Paul Paper | Artists: Adam Broomberg, Oliver Chanarin

August 15, 2019 [originally published in CV101 in Fall 2015] — Scarti is a recent photographic series, and a book of the same title, by Adam Broomberg and Oliver Chanarin. The project revives the photographers’ 2003 series Ghetto. It is, however, by no means a straight reprint. The title – Italian for “scraps” – gives away an important aspect of this reuse…

Strates | Strata

Ciel variable 101 - STRATA | Portfolios
Authors: Alexis Desgagnés | Artists: Adam Broomberg, Marc-Antoine K. Phaneuf, Moyra Davey, Oliver Chanarin

In geology, the concept of stratification refers to a process during which sediments accumulate in layers, which eventually form more or less heterogeneous sedimentary ensembles but nevertheless remain distinct units of meaning. We often find such ensembles on the edges of paths or roads; they offer the possibility of a simultaneous reading of many strata […]

CONTACT 2013 : FIELD OF VISION – Jill Glessing, Expanding our Field with Contact Festival

Ciel variable 96 – PERFORMING FOR THE IMAGE | Essays
Authors: Jill Glessing | Artists: Adam Broomberg, Andrew Wright, Arnaud Maggs, Marie Cosindas, Marlene Creates, Meryl McMaster, Oliver Chanarin, Robert Flaherty, Sebastião Salgado

August 15, 2018 [originally published in CV96 in Winter 2014] — In its fifteenth year, Contact, the world’s largest photography festival, offered an expanded schedule of photography-based adventures that included films, workshops, 174 exhibitions, and a three-day symposium featuring international curators and critics. Following a line-up that included Geoffrey Batchen and Joel Snyder…

ECOTOPIA: Allegories of Disaster – Maria Antonella Pelizzari

Ciel variable 75 - MUTATIONS | Exhibition Reviews
Authors: Maria Antonella Pelizzari | Artists: Adam Broomberg, Carlos & Jason Sanchez, Oliver Chanarin, Robert Adams

[Fall 2007] International Center of Photography, New York September 14, 2006–January 7, 2007 The debate over the effect of technology on the land has always been central to American photography and culture. In the nineteenth century, it was about the optimistic arrival of railroad tracks in the wilderness; in the early twentieth century, it was […]