October 18, 2016 [originally published in Winter 2011] — Yan Giguère has been a well-known figure in the Quebec contemporary art scene since the mid-1990s. His most recent photographic works were in solo exhibitions at Galerie Optica in 2009, Centre VU in 2008 and 2002, and Galerie B-312 in 2002. His pieces, which are in a number of collections, highlight the poetry of the everyday in series with strong narrative potential arranged on the walls of the exhibition space.
[Winter 2011] Fragmented narratives, recording of traces, and role playing within the image are some of the ways in which the artists presented in this issue approach the notion of series. Systematic or scattered, the series provides a means to gather multiple images to evoke a personal universe, possible dramas, a disappearing world, or the […]
[Winter 2011] The works presented in this issue are characterized by the accumulation of a large number of images and the creation of series that may be systematic, or may be intuitive and fragmentary. In some of these works we can discern an iterative mode that operates in the formal arrangement, the object of investigation, […]
[Winter 1998-1999] This article was originally published only in French. You can read it by switching over to the French version of this page. Summary It has never been the aim of art photography to provide simple testimony to the unfurling of daily life – at least, not of its substance, its insipid ordinariness. The […]