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Yan Giguère

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Yan Giguère, Suite cinétique — Stéphanie Hornstein

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Stéphanie Hornstein | Artists: Yan Giguère

[Hiver 2020] Galerie La Castiglione May 15–June 15, 2019 By Stéphanie Hornstein The day that I first make it to Yan Giguère’s solo show at Galerie La Castiglione, Montreal’s construction season is in full swing. St. Catherine Street is a gaping trench and the jackhammer’s thrum hounds me all the way up four flights of […]

ENTR’ACTE
. A Collective Portrait of the Royal Victoria Hospital – James D. Campbell

Ciel variable 109 - REVISIT | Essays
Authors: James D. Campbell | Artists: Angela Grauerholz, Chih-Chien Wang, Gabor Szilasi, Luc Courchesne, Marie-Jeanne Musiol, Michel Campeau, Raymonde April, Roberto Pellegrinuzzi, Serge Clément, Yan Giguère, Yann Pocreau

Octobre 19, 2021 [originally published in CV109 in Summer 2018 ] — This round-robin exhibition featured powerful and evocative images of the original site of the recently abandoned Royal Victoria Hospital. Eleven Montreal artists were invited by the RBC Art and Heritage Centre of the McGill University Health Centre to tour the original site…

Yan Giguère, Visites libres – Julie Gagné

Ciel variable 97 - PORTRAIT GALLERY | Exhibition reviews
Authors: Julie Gagné | Artists: Yan Giguère

September 12, 2018 [originally published in CV97 in Spring 2014] — You can read it by switching over to the French version of this page.

Yan Giguère, Attractions – Sylvain Campeau, Gravity and Tropism

Ciel variable 87 – SERIES | Interviews, Portfolios
Authors: Sylvain Campeau | Artists: Yan Giguère

October 18, 2016 [originally published in Winter 2011] — Yan Giguère has been a well-known figure in the Quebec contemporary art scene since the mid-1990s. His most recent photographic works were in solo exhibitions at Galerie Optica in 2009, Centre VU in 2008 and 2002, and Galerie B-312 in 2002. His pieces, which are in a number of collections, highlight the poetry of the everyday in series with strong narrative potential arranged on the walls of the exhibition space.

Series

Ciel variable 87 – SERIES | Portfolios
Artists: Alain Pratte, Chuck Samuels, Michel Campeau, Yan Giguère

[Winter 2011] Fragmented narratives, recording of traces, and role playing within the image are some of the ways in which the artists presented in this issue approach the notion of series. Systematic or scattered, the series provides a means to gather multiple images to evoke a personal universe, possible dramas, a disappearing world, or the […]

Narrative Series

Ciel variable 87 – SERIES | Editorial
Authors: Jacques Doyon | Artists: Alain Pratte, Chuck Samuels, Michel Campeau, Yan Giguère

[Winter 2011] The works presented in this issue are characterized by the accumulation of a large number of images and the creation of series that may be systematic, or may be intuitive and fragmentary. In some of these works we can discern an iterative mode that operates in the formal arrangement, the object of investigation, […]

Yan Giguère, Attractions – Sylvain Campeau

Ciel variable 84 – INHABITED | Exhibition reviews
Authors: Sylvain Campeau | Artists: Yan Giguère

[Spring 2010] This article was originally published only in French. You can read it by switching over to the French version of this page. Galerie Optica, Montréal Du 12 septembre au 17 octobre 2009

Yan Giguère, Choisir – Sylvain Campeau

Ciel variable 77 – CULTURAL TOURISM | Exhibition reviews
Authors: Sylvain Campeau | Artists: Yan Giguère

[Fall 2007] This article was originally published only in French. You can read it by switching over to the French version of this page. Occurrence, espace d’art et d’essai contemporains, du 17 mars au 21 avril 2007

Yan Giguère – Jennifer Couëlle, Portrait de la lune en camion. Une table, des étoiles

Ciel variable 45 - (OFF CAMERA) | Portfolios
Authors: Jennifer Couëlle | Artists: Yan Giguère

[Winter 1998-1999] This article was originally published only in French. You can read it by switching over to the French version of this page. Summary It has never been the aim of art photography to provide simple testimony to the unfurling of daily life – at least, not of its substance, its insipid ordinariness. The […]

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