In this stream is the full content of the magazine’s issues published since 1986, except for the most recent three years. A huge trove of content is offered for consultation and research.
The issues are presented in sections that correspond to the major periods in the evolution of Ciel variable, related to changes in the editorial team, development of its content and design, or modifications to its name and logo.
[Summer 2020]
The works in this special section address dimensions of human activity that have considerable significance in today’s globalized society in view of the role of technology, the use of energy resources, and respect for human rights. These complex works combine multiple voices to reflect ethical issues and their impacts on individuals and communities.
[Winter 2020]
In this issue’s thematic section, we look at collective action in society. Against a background of social conflict and war, the artists evoke the impact of collective actions on the common good by re-examining and recontextualizing images plucked from the mass of media images that form our relationship with the world.
[Fall 2019]
The artists brought together in this issue’s thematic section explore different issues related to the boundaries of sexual identity and their transgression. Personas, transvestism, and role mutations are core to these artists’ approaches, as they address various issues fundamental to establishing a society based on inclusion rather than on narrow concepts of identities and, by extension, cultures…
[Summer 2019]
Three recent exhibitions offer a rare look at the act of collecting. In Archipel, Serge Clément presents a collection of all the photobooks that he has made – books that can be seen as sequencings of collections of his own images. Bertrand Carrière immerses himself in the collection of the Cinémathèque québécoise, focusing on film noir, extracting paradigmatic images and exploring the plays on temporality inherent to the crossfade. Finally, the collection of Jack Lazare represents a rare example of a collection patiently assembled over the years to reflect a melancholic vision of a world in difficulty.
[Winter 2019]
From the manipulation of light (through filtering, combination, or diffraction) to work on the supporting medium (film, photographic paper, walls) to searching out pictorial compositions on city streets, a space of exploration opens up for photography around the various manifestations of colour. The result is images that challenge our perceptions. Often, the referent for these works is abstract painting, with its long tradition of experimentation, but the real also bears its share of perceptual ambiguity with regard to the impact of colours.
[Fall 2018]
More than thresholds, borders have become a kind of non-place – extra-national zones – where migrants’ identities and statuses are examined and their statuses held in suspension for periods that are increasingly long and undetermined. In this issue, we examine certain aspects of the crossing of borders with works that explore how migrants are received and integrated, and the identity-related questions raised by such territorial movements.
[Spring-Summer 2018]
The works brought together in this issue look back at significant phenomena and events in recent history to bring them back to memory and assess their current relevance. These are prolific works, with multiple iterations, that take forms as complex as their subjects: an entire field of artistic practices, pioneering works and pivotal moments, and the multiplication of cultural artefacts that are subject to intense ideological manipulations.
[Winter 2018] This issue’s thematic section shows works that come from a wide variety of places and times, but all are marked by the notion of public visibility. These three bodies of work cover a wide spectrum of what defines the public space for artistic expression, ranging from the societal and cultural context that […]
[Fall 2017] The artists whose works are brought together here under the theme of ruins are interested in capturing the traces of a disappearing world, a world in which the evolution of the photographic image is symptomatic of a more fundamental transformation of culture and social values as a whole. EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS […]
[Spring-Summer 2017] At first glance, the works presented here might seem to be simply about work on a motif. A more attentive look, however, shows that what is indicated here, in this focus on trees, or icebergs, or clouds, is the shaping of natural elements by human action on a landscape that has become […]
May 14, 2020 [originally published in Winter 2017] — The complete content of CV105 is now available online including porfolios of Robert Walker and Images of Montreal, essays about Canadian Photography Magazines 1970-1990, Jessica Eaton, Ensemble and Artgeist II, an interview with Hélène Samson as well as several recent exhibition and publication reviews…
[Fall 2016] With great sensitivity and remarkable image quality, the works brought together in this section offer a renewed gaze at discredited realities and experiences. They do this by showing us people in their living environments. And yet, it is not individuals that these works offer as much as a certain order of representation, […]
[Spring-Summer 2016] There are places where nature’s presence is more intensely felt, where the question of the city’s interrelations with its natural environment emerges more spontaneously. Certain circumstances are also conducive to raising such reflections – among them, sense of unfamiliarity experienced during a stay abroad, obvious deterioration in the equilibrium or beauty of […]
[Winter 2016] Globalization is making us more aware of the realities of the entire planet through news, visits, and business travel. In addition, urbanization and consumer markets are tending to bring cultures and lifestyles ever closer to each other. Even so, and fortunately, diversity and differences remain. What is more, the most radical forms of […]
[Fall 2015] STRATA features works by Adam Broomberg and Oliver Chanarin, Moyra Davey, and Marc-Antoine K. Phaneuf. The comprehension of these bodies of work assumes a peeling away of the various strata of signs that form them. ÉDITORIAL PORTFOLIOS FOCUS EXPOSITIONS LECTURES PAROLES Purchase this issue
[Spring-Summer 2015] Appropriating visual artworks, as one interprets the works in a repertoire. Judging that, among all the works that exist, these ones still resonate sufficiently in the eyes and ears of contemporary spectators to justify the reignition of their interrogatory or denunciatory spark. What do these works say? ÉDITORIAL PORTFOLIOS FOCUS EXPOSITIONS LECTURES PAROLES […]
[Winter 2015] The realm of the living includes as many habitats as ways of life. As fragments of the impossible inventory of all inhabited places, these four portfolios cross over into environments that may be real or fantasized, but are always constructed. EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS READINGS VOICES Purchase this issue
[Fall 2014] These abstract works involving simple forms evoke methods of analogue photography to challenge the degree of veracity of the image. Imprint, inversion, and casting are some of the components transposed into other artistic media to re-evaluate our capacity to apprehend the real. ÉDITORIAL PORTFOLIOS FOCUS EXPOSITIONS LECTURES PAROLES Purchase this issue
[Spring-Summer 2014] Three approaches to the portrait sustained by pictorial references and knowledge manifested in chiaroscuro, framings and poses, texture and draping of fabrics, head positions, and, above all, the gazes. And techniques that ennoble their subjects. EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS READINGS VOICES Purchase this issue
[Winter 2014] These three Montreal artists have in common the performative dimension of the images in their works. Bodies are staged in situations of intimacy, intrusion, or sacrifice to highlight how loved ones, strangers, and animals help to form our identity. EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS READINGS VOICES Purchase this issue
[Fall 2013] The transition to the digital image regime entails a series of permutations that noticeably modify our relations with a common public space and how art is produced. Our experience of concrete spaces and temporality, as well as the distinctions between private sphere and public exhibition, between amateur and professional productions, are totally […]
[Spring-Summer 2013] A thematic section on public art featuring the works of Nicolas Baier, Dominique Auerbacher, and Patrick Dionne and Miki Gingras, highlighting the issues of community affirmation in the public space and the revelation, or contestation, of its customs and regulations. Some where between group portrait, “objective” selfportrait, and urban antiaesthetic . . […]
[Winter 2013] This issue of Ciel variable includes a fifty-page special section on the appropriation by visual artists of questions related to forensic evidence. Organized by guest editor Vincent Lavoie, professor of art history and photography at UQAM, this issue continues in the spirit of some of our previous issues focusing on specific aspects of […]
[Fall 2012] Today, the North is making economic headlines, as it has become a new Eldorado for societies stalked by the dream of continual growth. This territory – homeland to First Nations, an ecosystem vital to the entire continent, and a vast pool of natural resources – is nevertheless mostly unknown to the general public. […]
[Spring-Summer 2012] From Alberta to Azerbaijan, from resolute Bay to mumbai, and from Oran to Johannesburg, this issue reveals images of an industrious, prosperous world that includes numerous dysfunctions and aberrations. with aesthetic strategies combining the documentary and the sublime, a multitude of perspectives, narrations, and installations, the image sometimes retreats to the background. […]
[Winter 2012] See the oversized faces of a city’s inhabitants emerging on its walls and façades. These people came together to find ways to reappropriate the urban space, and to advertise their presence and identity. Here, photography is a tool for affirmative collaboration. ÉDITORIAL PORTFOLIOS FOCUS EXPOSITIONS LECTURES PAROLES Purchase this issue
[Fall 2011] Being attentive to the environments that one passes through. all these passageways, these enigmatic and inhospitable spaces, all those buildings that one sees on urban access roads, sometimes abandoned, that compose a purely functional environment. This, compared to the old city, to sites shaped by time, proximity, a different pace of life . […]
[Spring – Summer 2011] Queers, media darlings, Aboriginals, female bodybuilders, and crack addicts form a higly heterogeneous portrait gallery that challenges our ideas about identity. These unsettling images reveal unexpected strenghts or vulnerabilities, leading us to re-evaluate our perceptions. EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS READING VOICES Purchase this issue
[Winter 2011] Fragmented narratives, recording of traces, and role playing within the image are some of the ways in which the artists presented in this issue approach the notion of series. Systematic or scattered, the series provides a means to gather multiple images to evoke a personal universe, possible dramas, a disappearing world, or the […]
[Fall 2010] Historic performances are currently being updated in different forms: exhibitions, appropriations, remediations, and re-enactments. These practices raise a number of questions about the status of performance documentation (photos, videos, and films in particular) and how it is interpreted, addressed here through multiple recent examples. ÉDITORIAL DOSSIER EXPOSITIONS LECTURES PAROLES Purchase this issue
[Summer 2010] Bombs opening up craters in streets, training camps that look like urban neighbourhoods, media perceptions of the war in Afghanistan, a look back at the riot as background for an urban renewal project… and images that use representation and fiction to try to convey these realities. EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS VOICES […]
[Spring 2010] Portraits convey individualities, but they also express common conditions. Facial features, pose, clothing, and immediate environment contribute to a representation of self, but they also bring us closer to others. These images, like the photographers’ trajectories, portray uniqueness at the crossroads where cultures mix. EDITORIAL PORTFOLIOS FOCUS EXHIBITONS READINGS VOICES […]
[Fall 2009 – Winter 2010] Taken as a whole, what do the images that make up a magazine say? What do their format and positioning reveal? Artists appropriate, divert, or exaggerate the content and layout of existing magazines, seeking to make manifest how the image’s share of the page is structured and tease out […]
[Summer 2009] Although it is rarely installed as permanent public art, photography nevertheless has a growing presence within the urban public space. More and more artistic and institutional initiatives are encroaching on the territory of advertising – posting in all its forms – to dispute this high-visibility space and offer alternative ways of looking at […]
[Spring 2009] This issue focuses on the side effects of the accelerated modernization of China: Shanghai is portrayed in an odd half-light that bespeaks the end of an era; landscapes discoloured by dust storms testify to a rapid desertification; a city that lives under water hints at vast tracts of land that have been submerged… […]
[Fall 2008 – Winter 2009] The image bank is an archive based on modalities of selection, indexation and thematic grouping which condition its usage. This apparatus is appropriated by artists to explore the contextual conditions of the reading of images. Visual literacy and the future of the « virtual museum » imagined by Malraux […]
[Summer 2008] Photographing the street, over time, to record the evolution of the city and how it is used is a strategy that remains current. In these pages, it reveals the survival of small businesses in the era of globalization of markets, it allows us to follow the radical transformation of a city centre, and […]
[Spring 2008] Why does one collect photographic images? What motivates an individual to select only a few printed images from among thousands and assemble them into a collection that says as much about that individual as about his or her environment? EDITORIAL PORTFOLIOS FOCUS EXHIBITIONS READINGS VOICES Download this issue (Free of Charge)
[Winter 2007] Today’s global tourism industry has developed a cultural structure that orients how we see. The works presented here address various aspects of that structure and offer new perspectives on a global phenomenon. The subjects approached range from the political nature of the Venice Biennale to the recently acquired monumental status of certain sites. […]
[Summer 2007]
Portfolios : JOAN FONTCUBERTA, DAVID MAISEL, BIL VAZAN.
Focus : Projets photographiques pour le web / Photographic Projects for the Web.
Reviews : Lynne Cohen, Denis Farley, Michel Lamothe, Jeff Wall, New and Worthy.
Authors : Jacques Doyon, Sylvain Campeau, John K. Grande, Henry Lehmann, Serge Bérard, Sylvie Parent, James D. Campbell, Stephanie Gibson, Jean-François Bélisle.
[Spring 2007]
Portfolios : RAPHAEL GOLDCHAIN, ORLAN, PAUL LITHERLAND.
Reviews : Alain Declercq, ECOTOPIA : Allegories of Disaster, Rodney Graham, Acting the Part : Photography as Theater, Chris Marker, Michael Schreier, Fischli & Weiss, Alain Paiement.
Authors : Martha Langford, Maxime Coulombe, Dayna McLeod, Sylvain Campeau, Maria Antonella Pelizzari, Marie-Josée Jean, Judith Parker, Niki Lambros, Petra Halkes, John K. Grande, Yam Lau.
[Winter 2006-2007]
Portfolios : DOYON-RIVEST, MIKE YUHASZ, FRANK BREUER.
Focus : Le World Press Photo ou le photojournalisme au Salon.
Reviews : Contemporary African Photography, Les Rencontres d’Arles, Nicolas Baier, Pascal Grandmaison , Alone, Curated by Penny Cousineau-Levine, Toni Hafkenschied, Douglas Gordon.
Readings : Documentary Now!
Authors : Jacques Doyon, Julie Lavigne, John K. Grande, Vincent Lavoie, Dominique Fontaine, Bruno Chalifour, Stéphane Baillargeon, Charles Guilbert, Gary Michael Dault, Sylvain Campeau, Ariane Noël de Tilly, Vincent Bonin.
[Fall 2006]
Portfolios : GREGORY CREWDSON, MATTHIEU BROUILLARD, JANIETA EYRE.
Focus : La tyrannie paysagère, Gabor Szilasi’s photographs of Exile and Return.
Reviews : Imaging a global culture, CONTACT Photography Festival, BGL – Effet de mode et autres pirateries du genre, Mark Ruwedel, Maryse Larivière, Hala Elkoussy.
Authors : Jacques Doyon, Cyril Thomas, Jean-Pierre Vidal, James D. Campbell, Suzanne Paquet, Sharon Murray, David Balzer, Ariane Noël de Tilly, Sylvain Campeau, SB Edwards, Michèle Cohen Hadria.
[Summer 2006]
Portfolios : ERWIN WURM, ANNIE BAILLARGEON, MANON DE PAUW.
Focus :Edward Burtynsky – L’oeil d’un coloriste sur le sublime contemporain.
Reviews : Shirin Neshat, Sylvie Readman, Jennifer Long, Guy Blackburn, Sunil Gupta, Laura Letinsky, Angela Grauerholz, Point & Shoot, Performance and Photography.
Authors : Jacques Doyon, Patrice Duhamel, Guy Sioui Durand, Hélène Brunet Neumann, Bruno Chalifour, Maria Zimmermann Brendel, Suzanne Paquet, James D. Campbell, Christine Gauthier, Johanna Mizgala, Jessica Wyman, Anna Carlevaris.
[Spring 2006]
Portfolios : CHIH-CHIEN WANG, EMMANUELLE LÉONARD, ROY ARDEN.
Focus : (Un)framing Interior Views Cultural Geography in the Work of Lynne Cohen.
Reviews : Diana Thorneycroft, Jeff Wall, Doyon-Rivest, Covering the Real, Feintes_ doutes + fictions, Donigan Cumming – Controlled Disturbance, Arborealis.
Authors : Jacques Doyon, Alice Ming Wai Jim, André-Louis Paré, Roy Arden, Dieter Roelstraete, Jean-François Bélisle, James D. Campbell, Cyril Thomas, Kevin Temple, Vincent Lavoie, Vincent Bonin, Sylvain Campeau, Gary Michael Dault.
[Winter 2005-2006]
Portfolios : MICHAEL FLOMEN, MARIE-JEANNE MUSIOL, CLAUDIA FÄHRENKEMPER, PAUL LACROIX.
Reviews : Le mois de la photo à Montréal: Image and Imagination, Dieter Appelt Forth Bridge – Cinema. Metric Space, Iain Baxter&, Nobuyoshi Araki, Territoires urbains.
Authors : Jacques Doyon, James D. Campbell, Sylvain Campeau, AnnThomas, Lisanne Nadeau, Anna Carlevaris, Ann Thomas, Serge Bérard, Cyril Thomas, Serge Bérard.
[Fall 2005]
Portfolios : SYN-, PIERRE GRANCHE, CHERYL SOURKES.
Reviews : Instandstillnessence, Donigan Cumming – Moving Pictures, Damage Done. Materializing the Photographic Image, The Venice Biennale : 51st International Art Exhibition.
Readings : André Rouillé, Emmanuelle Léonard, David Tomas, Peter MacCallum.
Authors : Jacques Doyon, Johanne Sloan, Alain Laframboise, Jessica Wyman, Vincent Bonin, David Balzer, Kim Simon, Jean-François Bélisle, Johanna Mizgala, Vincent Lavoie, Pavel Pavlov, Gary Michael Dault.
[Summer 2005]
Portfolios : MELVIN CHARNEY, BERTRAND CARRIÈRE, LIZA NGUYEN, DENIS FARLEY.
Reviews : Claude-Philippe Benoît, Thomas Demand, Karen Henderson, Michel de Broin et Ève K. Tremblay.
Authors : Jacques Doyon, Anne Bénichou, Gary Michael Dault, Octave Debary, Johanna Mizgala, Suzanne Paquet, Johanna Mizgala, Sylvain Campeau, Natalie Olanick.
[Spring 2005]
Portfolios : ADAD HANNAH, FIONA TAN, TETSUOMI ANZAI, STAN DENNISTON, DAVID CLAERBOUT.
Reviews : Raymonde April, Iraqi Prison Photographs from Abu Ghraib, Roberto Pellegrinuzzi, Manon Labrecque, Rodney Graham.
Readings : Michael Snow, Photography – Crisis of History, Le troisième œil, Autoportraits dans la photographie canadienne contemporaine.
Authors : Will Straw, Vincent Bonin, Cheryl Simon, Cheryl Sourkes, Valérie Lamontagne, Randolph Jordan, Serge Bérard, Johanna Mizgala, Sylvain Campeau, Jean-Pierre Vidal, Tetsuomi Anzai, Mario Côté, Hélène Samson, Bernard Lamarche.
[Spring 2005] + CIEL VARIABLE 66B – RAYMONDE APRIL [May 2005]
Portfolios : ANGELA GRAUERHOLZ, RAYMONDE APRIL.
Focus : Between Heaven and Earth, the Loci and the Cosmos, Angela Grauerholz et ses livres (extraits).
Reviews : The Atlas Group and Walid Raad, Alexandre Castonguay, Digitale, Éveil / Fabulation, Peter Greenaway, Thomas Kneubühler, Bettina Hoffmann, Spoilsport / Trouble-fête, David Rokeby.
Authors : Jacques Doyon, Cheryl Simon, Colette Tougas, Chen Tamir, Vid Ingelevics, Sylvain Campeau, Michel Hellman, Colin Burnett, SB Edwards, Marie Fraser, Jessica Fung, Jean-Claude Rochefort.
[Fall 2004]
Portfolios : ANGELA GRAUERHOLZ, RAYMONDE APRIL.
Focus : Between Heaven and Earth, the Loci and the Cosmos, Angela Grauerholz et ses livres (extraits), Raymonde April – Bifurcations. Notes et matériaux.
Reviews : The Atlas Group and Walid Raad, Alexandre Castonguay, Digitale, Éveil / Fabulation, Peter Greenaway, Thomas Kneubühler, Bettina Hoffmann, Spoilsport / Trouble-fête, David Rokeby.
Authors : Jacques Doyon, Cheryl Simon, Colette Tougas, Chen Tamir, Vid Ingelevics, Sylvain Campeau, Michel Hellman, Colin Burnett, SB Edwards, Marie Fraser, Jessica Fung, Jean-Claude Rochefort.
[Summer 2004]
Portfolios : GWENAËL BÉLANGER, LOUIS JONCAS, JASON SALAVON.
Focus : La disparition, Maintenant. Images du temps présent, FAKING DEATH Canadian Art Photography and the Canadian Imagination.
Reviews : The Atlas Group and Walid Raad, Alexandre Castonguay, Digitale, Éveil / Fabulation, Peter Greenaway, Thomas Kneubühler, Bettina Hoffmann, Spoilsport / Trouble-fête, David Rokeby.
Authors : Jacques Doyon, Marie-Ève Charron, George Bogardi, Elizabeth Menon, Suzanne Paquet, Serge Allaire, Hélène Samson.
[Spring 2004]
Portfolios : YINKA SHONIBARE, MASSIMO GUERRERA, NIKKI S. LEE, SOREL COHEN.
Readings: Strangers – The First ICP Triennial of Photography and Video, Jocelyne Alloucherie – Glissements.
Authors : Jacques Doyon, Eduardo Ralickas, Massimo Guerrera, Dayna McLeod, Sophie Mendelsohn, Krystel Wallet, Johanna Mizgala, Suzanne Paquet.
[Winter 2003-2004]
Portfolios : YANN MINGRAD, ALBAN KAKULYA, LINEA DI CONFINE, SCOTT WALDEN, KAREN LOVE.
Reviews: Nan Goldin, The Big Picture: Recent Acquisition from the Collection of Alison & Alan Schwartz.
Authors : Jacques Doyon, Yann Mingard, Alban Kakulya, Michèle Cohen Hadria, Scott Walden, Karen Love, Colette Tougas, Christopher Brayshaw.
[Spring 2003]
Portfolios : JEAN-PHILIPPE LEMAY, ALAIN PAIEMENT, LUC COURCHESNE.
Reviews : Melvin Charney, Ken Lum, Bertrand Carrière, Au regard du paysage (I et II)
Voices : Alain Paiement
Authors : Jacques Doyon, André Clément, Mona Hakim, Brian Massumi, Danielle Schwartz, Petra Halkes, Sylvain Campeau, Suzanne Paquet, Hubertus von Amelunxen
[Fall 2002]
Portfolios : VID INGELEVICS, CATHERINE PONCIN, PATRICK ALTMAN.
Focus : Renouer avec l’esthétique de l’archive photographique.
Reviews: Robert Frank, Documenta 11, Patrick Coutu – Œuvres spatiales.
Authors : Jacques Doyon, Elizabeth Legge, Michèle Cohen Hadria, Louise Déry, Anne Bénichou, Judith Parker, Petra Halkes, Sylvain Campeau.
[Summer 2002]
Portfolios : EVERGON, MARISA PORTOLESE, OLIVER CHRISTINAT.
Reviews : No Man’s Land: The Photographs of Lynne Cohen, Emmanuelle Léonard.
Readings: Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums, Dominique Baqué, Mauvais genre(s), Livres reçus.
Authors : Jacques Doyon, Alain Laframboise, Dayna McLeod, Lyne Crevier, Johanna Mizgala, Anite de Carvalho, Cheryl Simon, Jacques Doyon.
[Spring 2002]
Portfolios : IVAN BINET, MANUEL PINA, ISABELLE HAYEUR.
Reviews : Herbert List ou « la mise en présence de l’absence – Marc Audette, Marie-Jeanne Musiol, Corps de lumière / Bodies of Light, Vincent Lavoie – L’instant-monument.
Authors : Jacques Doyon, Sonia Pelletier, Petra Watson, Suzanne Paquet, Adriana Kolar, Maria Zimmermann Brendel, Sylvain Campeau, Guy Bellavance.
[Winter 2001-2002]
Portfolios : KARL ZIMMERMAN, VELI GRANÖ, RAMONA RAMLOCHAND.
Reviews : Le Mois de la Photo à Montréal 2001, Bill Vazan – Ombres cosmologiques, No man’s land : Les photographies de Lynne Cohen, Javier Vallhonrat – Obras.
Authors : Jacques Doyon, Robin Metcalfe, Veli Granö, Ramona Ramlochand, Catherine Pomparat, Guy Bellavance, Suzanne Paquet, Sylvain Campeau.
[Fall 2001]
Portfolios : JIN-ME YOON, SOPHIE CALLE, SHIRIN NESHAT.
Focus : Frontières.
Reviews : Refaire surface, Project Photographs 1992-2001, Joan Fontcuberta – Volte-face. À l’envers de la science, les leçons de l’histoire.
Authors : Jacques Doyon, Robert Lévesque, Shauna McCabe, Sophie Calle, Christine Ross, Shirin Neshat, Mona Hakim, Gary Michael Dault, Sylvain Campeau.
[Spring 2001]
Portfolios : SCOTT MCFARLAND, MICHEL CAMPEAU, ROBIN COLLYER.
Focus : Hyperpaysages, À l’affût de territoires réticulaires et mentaux.
Reviews : Isabelle Hayeur – Les Paysages incertains, Vera Greenwood – L’Hôtel Soficalle, Terrains vagues / Unspecified – Œuvres de Geoffrey James, Alain Lefort, Emmanuelle Léonard et Suzanne Paquet.
Authors : Jacques Doyon, Luc Lévesque, Christopher Brayshaw, Robert Graham, Sylvain Campeau, Anne Bénichou, Sylvain Campeau, Catherine Grout.
[Winter 2000-2001]
Portfolios : ÈVE K. TREMBLAY, PATRICK FAIBENBAUM, ROSALIE FAVELL
Focus : La mémoire et le double
Reviews : Open Studio: William Eakin, Alexa Wright – I, Fiction ou d’autres histoires de la photographie
Authors : Jacques Doyon, François Paré, Lyne Crevier, Gregory Salzman, Ryan Rice & Barry Ace, Susan Close, Dayna McLeod, Sylvain Campeau
[Fall 2000]
Portfolios : NICOLAS BAIER, RUDD VAN EMPEL, STORE |MARKET.
Focus : Reading Photographs: Playing the Visual Literacy Game.
Reviews : Mouvance et mutation – Marian Penner Bancroft, By Land and, Michel Lamothe – Même les cigales dormaient.
Authors : Jacques Doyon, Susan Close, Emmanuel Galland, Mariona Fernández, Howard Ursuliak, François Dion, Mona Hakim, Bernard Lamarche.
[Summer 2000]
Portfolios : WANDA KOOP, XAVIER RIBAS, ALAIN CHAGNON.
Focus : Une esthétique de chiffonnier (le photographe itinérant).
Reviews : Serge Clément – Persona, André Martin – Mes modèles. Autoportraits, Dominique Baqué – La photographie plasticienne. Un art paradoxal, Diana Thorneycroft: The Body, Its Lesson and Camouflage.
Authors : Jacques Doyon, Olivier Asselin, Robin Laurence, Xavier Ribas, Robert Graham, Mona Hakim, Sylvain Campeau, Christine Desrochers, Martha Langford.
[Spring 2000]
Portfolios : GEOFFREY JAMES, NICOLE JOLICOEUR, GUY LAFONTAINE.
Focus : Une esthétique de chiffonnier (le photographe itinérant).
Reviews : Angela Grauerholz – Sententia I-LXII and Schriftbilder, Sylvie Readman – Convergences élémentaires, Edmond Couchot – La technologie dans l’art.
Authors : Jacques Doyon, Guy Siou Durand, Nicole Jolicoeur, Suzie Larivée, Gary Michael Dault, Mona Hakim, Christine Desrochers.
[Winter 1999-2000]
[Summer 1999]
[WINTER 1998-1999]
[Summer 1998]
[Spring 1998]
[Fall 1998]
[Spring 1997]
[Winter 1996-1997]
[Summer 1996]
[Spring 1996]
[Winter 1995-1996]
[Summer 1995]
[Spring 1995] EDITORIAL PORTFOLIOS
[Winter 1994-1995]
[Summer 1994]
[Spring 1994]
[Winter 1993-1994]
[Winter 1993]
[Winter 1992-1993]
[Spring 1992]
[Spring 1992]
[Winter 1991-1992]
[Fall 1991]
[Summer 1991]
[Spring 1991]
[Winter 1990-1991]
[Fall 1990]
[Summer 1990]
[Spring 1990]
[Winter 1989-1990]
[Fall 1989] EDITORIAL PORTFOLIOS FOCUS
[Summer 1989]
[Spring 1989]
[Winter 1988-1989]
[Spring 1988]
[Winter 1987-1988]
[Winter 1987-1988]
[Spring 1986]
