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Gary Michael Dault

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The Mystery of. In conversation with the Sanchez Brothers — Gary Michael Dault

Ciel variable 122 – NIGHT ROUNDS | Book Reviews
Authors: Gary Michael Dault | Artists: Carlos & Jason Sanchez

[Winter 2023] By Gary Michael Dault Adam Leith Gollner Montréal, Anteism, 2022, 158 p. [Excerpt] This book’s apparently truncated title, The Mystery of – whether chosen by its subjects, photographers and filmmakers (and brothers) Jason Sanchez and Carlos Sanchez, or by the book’s author, Adam Leith Gollner – is as provocatively incomplete (or at least […]

Susan Dobson, Dislocation – Gary Michael Dault

Ciel variable 87 – SERIES | Exhibition reviews
Authors: Gary Michael Dault, Pierre Dessureault | Artists: Susan Dobson

September 22, 2016 [originally published in Winter 2011] — All of the large-scale colour photographs making up Susan Dobson’s recent Toronto exhibition “Dislocations” contribute in varying ways to her notion of dislocation as a modification – as she puts it on her Web site – of “time, space and geography, where surroundings can seem both familiar and foreign.” She notes, as well, that “a pervasive and persistent form of déjà vu dominates the work, derived in part through the combination of digitally manipulated images with photographs shot in the documentary mode.”

Olga Chagaoutdinova, From Russia and Cuba – Gary Michael Dault, Back to the Futur

Ciel variable 84 – INHABITED | Portfolios
Authors: Gary Michael Dault | Artists: Olga Chagaoutdinova

[Spring 2010] A résident of Canada for the last ten years, Olga Chagaoutdinova has remained interested in the evolution of the Russian society, where she experienced the early effects of perestroika. She returned to Russia to take photographs of people and interiors that juxtapose artefacts of traditional Soviet life with heterogeneous aspects of Western consumer […]

Roger Ballen, Boarding House – Gary Michael Dault

Ciel variable 82 – PUBLIC ART | Exhibition reviews
Authors: Gary Michael Dault | Artists: Roger Ballen

[Summer 2009] OCAD Professional Gallery, Toronto March 5 – May 31, 2009 Everything is decay in Roger Ballen’s photographs: floors, walls, toothless mouths, and lank, rancid hair. Their only “beauty” (as we warily call it) – purloined from painterly, graffiti-wired photographs of the past (Siskind, Brassai, etc.) – is inventively and mercilessly imposed, in the […]

Susan Meiselas, Intimate Strangers – Gary Michael Dault

Ciel variable 80 - IMAGE BANKS | Exhibition reviews
Authors: Gary Michael Dault | Artists: Susan Meiselas

[Fall 2008] Stephen Bulger Gallery, Toronto March 29 – April 26, 2008 Intimate Strangers could be seen as a revisitation and continuation of a world of documentary exploration that began thirty-five years ago for Magnum photographer Susan Meiselas, with her Carnival Strippers project. Carnival Strippers came about when Meiselas attached herself to a “girl show” […]

The Contact Photography Festival, The Constructed Image – Gary Michael Dault

Ciel variable 77 – CULTURAL TOURISM | Exhibition reviews
Authors: Gary Michael Dault | Artists: Gyorgy Kepes, Roger Ballen, Stan Denniston

[Fall 2007] Toronto, May 1 – 31, 2007 Every May, Toronto is almost entirely given over to photography, in the guise of the CONTACT Toronto Photography Festival. This past May was the festival’s eleventh annual incarnation. The theme this year was “The Constructed Image” – which, in my estimation, is more or less code for […]

Alone, Curated by Penny Cousineau-Levine – Gary Michael Dault

Ciel variable 74 - LOGOS | Exhibition reviews
Authors: Gary Michael Dault | Artists: Jennifer Campbell, Kate Greenslade, Lori Newdick, Mackenzie Stroh, Marisa Portolese

[Winter 2006-2007] Curated by Penny Cousineau-Levine Gallery 44 and Gallery TPW, Toronto September 14 – October 28, 2006 Loneliness, existential or otherwise, has been the informing condition of twentieth-century society, and it looks as if it will continue to be so in the twenty-first century. Penny Cousineau-Levine’s recent two-gallery exhibition, Alone, was a vivid, surprising, […]

Frank Breuer, Warehouses and logos – Gary Michael Dault, Objecthood and presentness, the photographs of Frank Breuer

Ciel variable 74 - LOGOS | Portfolios
Authors: Gary Michael Dault | Artists: Frank Breuer

[Winter 2006-2007] Cologne-based photographer Frank Breuer is a virtuoso of profuse emptiness. His photographs of the bleak but strangely beautiful warehouses and of the logo-bearing, corporate, pylon-like signs that often stand nearby seem largely emptied of discursive, annotative meaning. Because both the warehouses and the emptied sign-structures that are his subject offer no internal articulation, […]

Arborealis. Thaddeus Holownia – Gary Michael Dault

Ciel variable 71 - IMAGE WORLD | Book Reviews
Authors: Gary Michael Dault | Artists: Thaddeus Holownia

[Spring 2006] Arborealis Thaddeus Holownia Anchorage Press 2005 The panoramic format in photography simultaneously poses delicate problems and offers sumptuous opportunities. The problems tend to centre around compositional matters – the way that the image, often more than twice as wide as it is high, is usually informed either by a conventional recourse to the […]

Peter MacCallum : Material World – Gary Michael Dault

Ciel variable 69 – BEHOLDING THE CITY | Book Reviews
Authors: Gary Michael Dault | Artists: Peter MacCallum

[Fall 2005] Peter MacCallum:Material World YYZ Books and Museum London 2004 Since the late 1960s, Toronto photographer Peter MacCallum has been devoting a great deal of his time to documenting the work of other visual artists. It has been a long, exacting sojourn in alternate sensibilities that might well have exhausted anyone less determined than […]

Bertrand Carrière, Caux – Gary Michael Dault, CAUX: Photographs by Bertrand Carrière

Ciel variable 68 – MEMORIES OF THE DISASTER | Portfolios
Authors: Gary Michael Dault | Artists: Bertrand Carrière

[Summer 2005] In three recent interrelated works, Bertrand Carrière explores ways of expressing the memories embedded in the landscape at the site of the Dieppe Raid of 1942. The Caux series constitutes a long meditation on the sense of purposelessness and loss embodied by that very landscape. It was preceded by Jubilee, an installation in […]

Vid Ingelevics, Project Photographs 1992-2001 – Gary Michael Dault

Ciel variable 55 – BOUNDARIES | Exhibition reviews
Authors: Gary Michael Dault | Artists: Vid Ingelevics

[Fall 2001] The Stephen Bulger Gallery, Toronto June 14–July 28, 2001 This small but deftly selected sampling of Vid Ingelevics’s work of the past decade left the viewer feeling that the veteran Toronto-based photographer and curator could now be well served by a full-scale retrospective exhibition. Yet, given the way the photographs shown here seemed […]

Angela Grauerholz, Sententia I-LXII and Schriftbilder – Gary Michael Dault

Ciel variable 50 - APPROACHING THE PLACE | Exhibition reviews
Authors: Gary Michael Dault | Artists: Angela Grauerholz

[Spring 2000] by Gary Michael Dault Power Plant, Toronto from December 11, 1999, to February 20, 2000. Given the scope and ambition of the two photo-works that Angela Grauerholz presented recently at Toronto’s Power Plant Contemporary Art Gallery (which extend the inventiveness of her photo-installations for Documenta IX and the 1995 Carnegie International), it is […]

Holly King – Gary Michael Dault

Ciel variable 44 - THEATER OF REALITIES | Portfolios
Authors: Gary Michael Dault | Artists: Holly King

[Fall 1998] by Gary Michael Dault Every photograph is constructed. In the usual order of events, however, a photograph is “constructed” first perceptually, then chemically  or is otherwise processed in the tiny silicon bath of the computer and, finally, as an artefact. Holly King’s photographs represent an amplification and a reversal of this order of […]

Jocelyne Alloucherie – Gary Michael Dault, Jocelyne Alloucherie: Les Occidents

Ciel variable 41 - AUTHENTICITY 2 | Portfolios
Authors: Gary Michael Dault | Artists: Jocelyne Alloucherie

[Winter 1997-1998] by Gary Michael Dault She wanders the streets of twilight cities, Jocelyne Alloucherie tells me, Montreal and her native Quebec City, yes, and also the early-evening cities of Europe. She wanders, flâneuse, with a camera, exploring, as the cities turn haptic in the diminishing light and thickening darkness, the absorbing demineralization of a […]

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