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Lorenza Böttner — Fanny Bieth

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Fanny Bieth | Artists: Lorenza Böttner

[Winter 2022] Galerie Leonard & Bina Ellen, Montréal 29.04.2021 — 19.06.2021 By Fanny Bieth [Excerpt] Lorenza Böttner: Requiem for the Norm is the first international retrospective exhibition for the Chilean-German artist Lorenza Böttner, a trans person who lost both arms as a child following an accident. Böttner’s practice and life embody, to use the words […]

Dawit L. Petros — Claudia Polledri

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Claudia Polledri | Artists: Dawit L. Petros

[Winter 2022] Galerie Bradley Ertaskiran, Montréal 3.09.2021 — 30.10.2021 By Claudia Polledri [Excerpt] Gaps, holes, fissures, and frictions – the title defines the perimeter of the exhibition by Eritrean artist Dawit L. Petros, presented as part of the Momenta 2021 satellite program. In this show, composed of photographs and serigraphs on paper and canvas, Petros, […]

Sylvie Readman, Denis Rioux — Mona Hakim

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Mona Hakim | Artists: Denis Rioux, Sylvie Readman

[Winter 2022] Galerie Laroche/Joncas, Montréal 8.09.2021 — 9.10.2021 By Mona Hakim [Excerpt] Presented in a single exhibition space and arranged facing each other, the photographs of Sylvie Readman and Denis Rioux highlight their common concern with the issues and properties of the photographic language within which the primary conditions of the visual and conceptual experience […]

Dawoud Bey — Ariane Noël de Tilly

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Ariane Noël de Tilly | Artists: Dawoud Bey

[Winter 2022] Whitney Museum of American Art, New York 17.04.2021 — 3.10.2021 By Ariane Noël de Tilly [Excerpt] Since the very inception of his photographic career, Dawoud Bey has pointed his lens toward people and, especially, marginalized communities. The retrospective of his work presented at the Whitney Museum of American Art highlighted the ethical dimension […]

James Coleman, What Goes Around Comes Around — Stephen Horne

Ciel variable 119 - AGAINST NATURE | Essays
Authors: Stephen Horne | Artists: James Coleman

[Winter 2022] By Stephen Horne “A being racing into the future passes a being racing into the past two footprints perpetually obliterating one another toe to heel, heel to toe.” – W. B. YEATS 1 [Excerpt] James Coleman´s complex cinematic installations disclose the beauty and pleasure of “looking.” The aesthetic experience to which I refer […]

Errance Sans Retour, “They also killed my father” — Pierre Dessureault

Ciel variable 119 - AGAINST NATURE | Essays
Authors: Pierre Dessureault | Artists: Renaud Philippe

[Winter 2022] By Pierre Dessureault [Excerpt] “We are not in front of the images; we are in the middle of them. Like they are in the middle of us. The question is how we circulate among them, how we make them circulate.”1 The life of images, constantly relaunched in various presentation contexts, is core to […]

Et fili ? Cultural Transmission and the Quebec Photobook — Michel Hardy-Vallée

Ciel variable 119 - AGAINST NATURE | Essays
Authors: Michel Hardy-Vallée | Artists: Anne-Marie Proulx, Bertrand Carrière, Charles-Frédérick Ouellet, Donigan Cumming, Florence Le Blanc, Guillaume Simoneau, John Max, Matthieu Brouillard, Michel Campeau, Sylvain Cousineau

[Hiver 2022] By Michel Hardy-Vallée [Excerpt] It’s a lovely image: my father, who had been taking photographs since the 1960s, had given me his Beseler 23C II enlarger. I went to pick it up in order to flesh out my amateur darkroom, and I was thinking about transmission of culture. The caption might have quoted […]

Andreas Rutkauskas, Refuge: After the Fire — Franck Michel, The Resilience of Landscapes

Ciel variable 119 - AGAINST NATURE | Portfolios
Authors: Franck Michel | Artists: Andreas Rutkauskas

[Winter 2022] By Franck Michel The landscape enwraps, penetrates, it is not before one as an object. . . . It is an atmosphere, a sensory halo, and not simply a visual through-line. – DAVID LE BRETON [Excerpt] The history of landscape photography offers an incomparable source of information on the evolution of territories […]

Thomas Kneubühler, Alpine Signals — Louis Perreault, Without Data Loss

Ciel variable 119 - AGAINST NATURE | Portfolios
Authors: Louis Perreault | Artists: Thomas Kneubühler

[Winter 2022] By Louis Perreault [Excerpt] In the first photograph in Alpine Signals, the immaculate white of a horse’s mane offers a reminder of the clouds that overhang the distant mountains. The blue sky spreads above the shrubs positioned in the centre of the composition, which pick up the colour of the verdant nature in […]

Geneviève Chevalier, Mirement/Towering : La Ménagerie et L’Herbier — Sylvain Campeau, Arranging the Living

Ciel variable 119 - AGAINST NATURE | Portfolios
Authors: Sylvain Campeau | Artists: Geneviève Chevalier

[Winter 2022] By Sylvain Campeau [Excerpt] Over the last few years, artist Geneviève Chevalier has become interested in places and methods of classification used in the natural sciences to inventory and analyze ﬂora and fauna. Menageries were, in a way, the ancestors of museums. They contained both collections and live exotic animals, but as an […]

Against Nature

Ciel variable 119 - AGAINST NATURE | Portfolios
Artists: Andreas Rutkauskas, Geneviève Chevalier, Thomas Kneubühler

[Winter 2022] The title might seem paradoxical, as the artists brought together for this issue’s thematic section are all defenders and lovers of nature and spend a good deal of time in it. But what their works reveal is a “naturality” thoroughly permeated by human activity and entirely shaped by it, implying that its fate […]

Against Nature?

Ciel variable 119 - AGAINST NATURE | Editorial
Authors: Jacques Doyon

[Winter 2022] Par Jacques Doyon The title might seem paradoxical, as the artists brought together for this issue’s thematic section are all defenders and lovers of nature and spend a good deal of time in it. But what their works reveal is a “naturality” thoroughly permeated by human activity and entirely shaped by it, implying […]